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Advancing Universal Design through Inclusive Packaging and
Visual
Suzani Azmin
1*
, Suhaiza Hanim Suroya
2
, Abdullah Kula Ismail
3
1*, 3,
Faculty of Art & Design, University Technology MARA Kedah, Kampus Sungai Petani, 08400
Merbok, Kedah, Malaysia
2
School of Design & Creative Arts, Loughborough University, UK
*Corresponding Author
DOI:
https://dx.doi.org/10.47772/IJRISS.2025.910000465
Received: 15 October 2025; Accepted: 21 October 2025; Published: 16 November 2025
ABSTRACT
Visual accessibility in packaging design remains a pressing global challenge, with over 2.2 billion people living
with some form of visual impairment and many facing exclusion from independent product use and consumer
decision-making. In Malaysia, national surveys indicate high prevalence of visual impairment among older
adults, highlighting the urgent need for inclusive design strategies that integrate tactile, visual, and digital cues.
This study aims to advance understanding of how universal design can be applied through inclusive packaging
and graphic design practices to enhance accessibility for visually impaired users. Guided by Universal Design
Theory, the Social Model of Disability, and Multisensory Design Theory, this conceptual paper synthesizes
recent literature on tactile packaging features, high contrast visual elements, and smart packaging technologies.
The methodology involves a critical review of peer-reviewed studies, supported by a conceptual framework
that illustrates the relationships between design strategies, user comprehension, usability, and social inclusion.
Findings from the literature indicate that while tactile and digital features significantly improve accessibility,
their integration in commercial practice remains limited due to cost, manufacturing constraints, and lack of
policy enforcement. The paper contributes theoretically by positioning inclusive packaging within multiple
design and disability frameworks, and practically by offering strategies for designers, industry, and
policymakers. Implications suggest that inclusive packaging should be mainstreamed as a design responsibility
rather than a niche adaptation, with future research directed toward empirical validation, cross-cultural analysis,
and long-term industry adoption.
Keywords Inclusive Packaging Design, Universal Design, Visual Accessibility, Multisensory
Communication, Accessible Graphic Design, Social Model of Disability.
INTRODUCTION
Emerging advances in generative models and tactile interface technologies are opening new frontiers for
inclusive packaging that better supports individuals with visual impairments. For instance, Dzhurynskyi, Mayik,
and Mayik (2024) introduce an AI-driven pipeline to generate tactile graphics from textual descriptions, reducing
the labor intensity inherent in conventional tactile production workflows. Their approach demonstrates how
machine learning can scale access to tactile cues for visually impaired users. Meanwhile, research in tangible
and interactive graphics such as the FlexiBoard system shows that coupling tactile relief with multimodal
feedback, including audio or haptic responses, enhances the accessibility of information-rich designs (Raynal,
Ducasse, Macé, Oriola, & Jouffrais, 2024). In the domain of packaging, inclusive design frameworks are
increasingly integrating smart markers such as Navilens tags and intuitive tactile symbols to bridge the divide
between visual aesthetics and functional accessibility (Inclusive Packaging: Bridging the Gap for All Consumers,
2024). These converging streams of inquiry suggest that the future of universal design in packaging lies not in
retrofitted adaptations but in embedding accessibility from the earliest ideation phases, where graphic form,
tactile semantics, and digital augmentation co-evolve.
In the Malaysian context, the imperative for inclusive packaging and visual accessibility is underscored by
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substantially high rates of visual impairment among older adults and consequential quality-of-life burdens. A
recent national eye survey conducted in 2023 across Eastern Malaysia and Sarawak reported blindness
prevalences of 0.8 percent and 0.6 percent respectively, alongside persistent rates of severe visual impairment
that remain largely attributable to avoidable causes, particularly untreated cataract (Salowi, Naing, Mustafa, Wan
Nawang, Sharudin, & Ngah, 2024). An outpatient study at University of Malaya Medical Centre further reported
that approximately 32.63 percent of examined subjects manifested visual impairment and 0.9 percent were blind,
with cataract and glaucoma as leading etiologies (Kevin-Tang, Tajunisah, Lott, & Reddy, 2024). Beyond
prevalence, research validating the Malay version of the NEI-VFQ-25 instrument demonstrates that even
unilateral visual loss significantly reduces vision-related quality of life, particularly in domains such as near
activities, social functioning, and dependency (Loke, Rampal, Che Hamzah, Lim, & Kamalden, 2025). These
findings suggest that a considerable portion of Malaysia’s population faces obstacles in perceiving conventional
visual cues on packages, highlighting the need for design-driven interventions that integrate tactile, high-
contrast, audio, or augmented cues tailored to local demographic and infrastructural conditions.
Past studies in the field of inclusive packaging and accessible graphic design highlight the persistent gap between
consumer needs and industry practices. Research shows that tactile symbols, distinct shapes, and accessible
labeling can improve product recognition and safety for visually impaired users, although adoption in
mainstream packaging remains limited (Gulati & Shivani, 2022). Practice-driven guidance operationalizes
universal design within packaging workflows and provides actionable methods for teams (Microsoft Packaging
& Content Team, 2024). Investigations into smart packaging technologies, including NFC-enabled labeling and
QR code audio guides, emphasize the potential of digital augmentation to enhance autonomy, while also showing
that packaging acts as a communicative medium that shapes trust, usability, and inclusivity (Omidiran, Martins,
Obadina, & Bogueva, 2024). Scholars of inclusive design warn that overreliance on technology-only solutions
can inadvertently exclude users with limited digital access or literacy and therefore digital features should be
complemented by tactile and visual strategies (Gilbert, 2019). Collectively, these studies underscore that
inclusive packaging is not solely a technological challenge but also a matter of design responsibility, where
graphic design must bridge sensory diversity through multisensory communication strategies.
Despite the growing body of research on universal design and accessibility, there remains a notable gap in the
application of inclusive principles to packaging within the Malaysian context. Most existing studies have
concentrated on clinical assessments of visual impairment or on technological innovations in isolation, without
sufficiently addressing how graphic design practices can integrate tactile, visual, and digital cues into packaging
systems that are both culturally relevant and contextually feasible. Furthermore, limited empirical evidence
exists on how packaging design can directly empower visually impaired consumers to exercise autonomy and
agency in everyday product interactions. This conceptual paper therefore aims to advance understanding by
synthesizing global and local perspectives on inclusive packaging, critically examining the intersection of
graphic design, universal design, and accessibility. Specifically, the objectives are to explore the role of inclusive
packaging as a communication medium for visually impaired users, to analyze design strategies that bridge
aesthetic value with functional accessibility, and to propose a conceptual framework for advancing universal
design practices in the packaging sector.
To guide this discussion, the remainder of the paper is organized into four sections. Following this introduction,
the second section reviews relevant literature on universal design, inclusive packaging, and accessible graphic
communication, situating the study within existing scholarship. The third section presents the conceptual
framework and methodological orientation of the paper, drawing on design research and accessibility studies.
The fourth section discusses key findings and implications for both academic inquiry and industry practice, with
a particular focus on Malaysia’s demographic and infrastructural challenges. The paper concludes by
highlighting contributions to the field of graphic design and outlining directions for future research in advancing
inclusive and accessible packaging solutions.
LITERATURE REVIEW
Visual Communication and Inclusive Packaging Design
Visual communication in packaging design functions as both an informational and persuasive medium, shaping
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how consumers identify, select, and interact with products. For individuals with visual impairments, however,
packaging that relies heavily on typography, imagery, and color can be exclusionary. Practice-based evidence
shows that tactile symbols, distinct forms, and accessible labeling support safer and more independent product
identification (Gulati & Shivani, 2022). Consumer studies indicate that packaging influences user experience,
trust, and inclusivity, which strengthens the case for integrating high contrast, simplified layouts, and clear
iconography with digital features such as QR and NFC for audio access (Omidiran et al., 2024). As a design
stance, inclusive packaging should avoid technology-only solutions and instead layer tactile, visual, and auditory
channels so that meaning remains perceptible across diverse abilities (Gilbert, 2019; Spence, 2021). Multimodal
interactive aids demonstrate how tactile surfaces paired with audio or haptic feedback can improve
comprehension of complex information contexts relevant to consumer use (Raynal et al., 2024).
CONCEPTUAL FRAMEWORK
Fig. 1 Conceptual Framework Diagram
The conceptual framework positions Universal Design Principles as the theoretical foundation that drives two
applied streams. The first stream is Inclusive Packaging Features which covers tactile cues, distinct shapes,
Braille or raised markings, simplified layouts, and accessible labelling that support independent product
identification and safe use by visually impaired consumers (Gulati & Shivani, 2022). The second stream is Visual
Accessibility Practices which extends communication across senses through high contrast typography, clear
iconography, QR or NFC enabled audio access, and haptic feedback that reinforces meaning through touch and
sound (Raynal, Ducasse, Macé, Oriola, & Jouffrais, 2024). Practice guidance shows how to embed these
principles within design workflows using raised icons, legible type and inclusive sprints so accessibility is
integrated from concept through delivery (Microsoft Packaging & Content Team, 2024).
Both streams converge on Improved Comprehension where users can perceive, recognize, and interpret essential
information on packaging. Improved Comprehension leads to Usability and Autonomy in which users can
identify products, make informed choices, and manage dosage or safety steps without assistance. These
outcomes support Social Inclusion which is consistent with the Social Model of Disability that interprets barriers
as features of environments and designs rather than individual deficits (Oliver, 2020). The framework is also
aligned with Multisensory Design Theory which argues that visual, tactile, and auditory channels should operate
together to provide redundancy and resilience of meaning across diverse contexts and abilities (Spence, 2021).
Consumer perception research reinforces the pathway from clear communication to trust and adoption which
strengthens the link between design choices and inclusive user experience (Omidiran, Martins, Obadina, &
Bogueva, 2024). In sum, Universal Design informs feature and practice choices that elevate comprehension and
usability which in turn foster autonomy and social inclusion.
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Table 1. Recent Studies on Inclusive Packaging and Visual Accessibility
Author(s)
Year
Title or Focus
Method
Key Findings or Insights
Gulati & Shivani
2022
Accessible
Cosmetic
Packaging for
Visually Impaired
and Blind Users
Co design workshops
with visually impaired
participants and
development of an
accessibility checklist and
mobile app
Identified tactile cues, distinct
shapes, and accessible labeling
that improve recognition and
independence. Produced the
Beauty Ally app and an
accessibility checklist.
Mustić, Cigula,
& Kovacević
2025
Adaptation of
Packaging for the
Elderly
Population
Survey and guideline
development within
design conference
proceedings
Highlighted unmet accessibility
needs among older consumers
and recommended tactile
markers, large fonts, and
simplified layouts that directly
inform low vision packaging
practices.
Raynal, Ducasse,
Macé, Oriola, &
Jouffrais
2024
The FlexiBoard:
Tangible and
Tactile Graphics
for People with
Vision
Impairments
Prototype development
and user evaluation
Demonstrated that tactile relief
combined with audio or haptic
feedback enhances
comprehension of complex
information which supports
multisensory packaging
communication.
Microsoft
Packaging &
Content Team
2024
Creating
Accessible
Packaging: An
Inclusive Design
Guide
Design practice guidance
and inclusive design
experimentation
Outlined raised icons, high
contrast, large text, and
inclusive sprints and showed
how to embed accessibility into
packaging workflows.
Gopan
2025
Sensory
Inclusivity in
Retail
Environments
Mixed methods and
design proposals in retail
contexts
Proposed tactile shelf labels,
haptic signage, and sensory
zoning that extend accessibility
from packaging to the store
environment and maintain
continuity across the user
journey.
Table 1 synthesizes recent contributions that align with the conceptual framework pathway from Universal
Design to Inclusive Packaging Features and Visual Accessibility Practices and then to Improved Comprehension
and Usability. Co-design evidence shows that tactile markers, distinct shapes, and accessible labelling directly
improve recognition and safer product use for visually impaired consumers (Gulati & Shivani, 2022).
Multimodal interaction research confirms that tactile relief paired with audio or haptic cues improves
interpretation of complex information which supports the case for multisensory packaging and assistive access
points such as audio prompts (Raynal et al., 2024). Practice oriented guidelines translate Universal Design into
repeatable methods for teams which include raised icons, high contrast, and inclusive sprints that make
accessibility a standard part of packaging development rather than a late-stage fix (Microsoft Packaging &
Content Team, 2024). Population focused work with older adults identifies overlapping needs that are directly
transferable to low vision packaging contexts such as large type, simplified layouts, and tactile markers that
lessen cognitive and visual load (Mustić, Cigula, & Kovacević, 2025). Retail environment research extends
inclusivity beyond the pack so that sensory accessibility remains intact from shelf to home which strengthens
autonomy and social participation (Gopan, 2025). Together these findings reinforce the framework logic and the
literature links that connect design choices to comprehension, usability, and inclusion outcomes (Omidiran et
al., 2024; Oliver, 2020; Spence, 2021).
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Research Gaps and Insights
Research remains concentrated in Western and technologically advanced contexts, with limited studies
addressing inclusive packaging in Southeast Asia and Malaysia specifically (Kevin-Tang et al., 2024; Loke et
al., 2025). Studies frequently evaluate tactile and digital strategies in isolation rather than as integrated systems.
Cultural specificity, including multilingual environments and symbol conventions, is underexplored in
packaging accessibility. Evidence from elderly-focused inclusive packaging highlights usability challenges that
overlap with visual impairment and points to the need for accessible graphics and tactile information design in
everyday products (Mustić, Cigula, & Kovacević, 2025). These gaps motivate a framework that embeds
universal design, semiotics, disability theory, and multisensory communication into packaging systems that can
be validated within Malaysia’s demographic and infrastructural conditions.
METHODOLOGY
Research Design, Population, Sample Size, and Sampling Technique
This study adopts a conceptual research design that integrates critical literature synthesis with an exploratory
survey of visually impaired consumers, designers, and industry stakeholders. Conceptual papers draw together
diverse scholarship while proposing testable directions (Jaakkola, 2020). The target population for an empirical
extension includes individuals with varying degrees of visual impairment, packaging and graphic designers, and
representatives from consumer product industries. A sample size of approximately 200 participants is proposed
to support robust subgroup insights and instrument testing that anticipates accessibility barriers across user
diversity (Gilbert, 2019). Purposive sampling will be used to recruit visually impaired respondents through
associations and NGOs, and snowball sampling will reach designers and industry practitioners (Etikan & Bala,
2017).
Data Collection
Data collection proceeds in two phases. First, a critical literature synthesis will integrate global and local
knowledge on universal design, inclusive packaging, and accessibility, using Scopus, Web of Science, and
ScienceDirect. Second, a survey of visually impaired consumers and designers will be conducted to preliminarily
validate linkages in the conceptual framework. The survey will assess perceptions of tactile cues, high-contrast
elements, iconography, and smart packaging applications. This approach triangulates conceptual insights with
stakeholder perspectives (Snyder, 2019).
Data Analysis
Literature findings will be synthesized using thematic analysis to identify patterns, gaps, and conceptual linkages
(Nowell, Norris, White, & Moules, 2017). Survey data will be analyzed with descriptive statistics followed by
structural equation modeling to test direct and mediated relationships between universal design principles,
inclusive packaging strategies, comprehension, usability, and social inclusion (Hair, Hult, Ringle, & Sarstedt,
2021).
Variables And Measurement
Independent variables include Universal Design Principles, Inclusive Packaging Features, and Visual
Accessibility Practices. The mediating variable is Improved Comprehension. Dependent variables include
Usability, Autonomy, and Social Inclusion. Measurement items for tactile and labeling accessibility will be
adapted from practice-based checklists and co-design outputs reported in accessible packaging research (Gulati
& Shivani, 2022) and aligned with inclusive packaging guidelines (Microsoft Packaging & Content Team, 2024).
Social inclusion will be measured by adapting items from vision-related instruments validated in Malaysia (Loke
et al., 2025). All items will use five-point Likert scales.
Reliability And Validity Of Questionnaire Constructs
Content validity will be established through expert review by academics, designers, and disability advocates.
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Construct validity will be examined through exploratory and confirmatory factor analyses. Internal consistency
will be assessed using Cronbach’s alpha with thresholds above 0.70 considered acceptable (Nunnally &
Bernstein, 1994). Convergent and discriminant validity will be evaluated using Average Variance Extracted and
the FornellLarcker criterion as recommended for latent variable modeling (Hair et al., 2021). A pilot with 30
respondents will refine clarity, cultural appropriateness, and comprehension.
DISCUSSION
Evidence across the reviewed literature indicates that tactile features, high contrast elements, and clear
iconography improve comprehension and usability for individuals with visual impairments, while multimodal
aids can clarify complex information (Gulati & Shivani, 2022; Raynal et al., 2024; Mustić et al., 2025). Practice
guidelines show how universal design can be embedded in packaging workflows, reinforcing perceptible
information and equitable use as core principles rather than optional embellishments (Microsoft Packaging &
Content Team, 2024). This alignment with the Social Model of Disability reframes inaccessibility as a designable
condition rather than an immutable outcome of impairment (Oliver, 2020). From the Malaysian perspective, the
urgency of these interventions is supported by recent data on prevalence and causes of visual impairment among
older adults in Sarawak and Eastern Malaysia and by hospital-based evidence of significant functional impact
(Salowi et al., 2024; Kevin-Tang et al., 2024). These findings suggest considerable risk of exclusion in consumer
decision-making when packaging remains visually dominant and underscore the necessity of integrating tactile,
high-contrast, and multimodal cues within graphic design. Consumer research shows that packaging influences
trust, usability, and perceived inclusivity, which means that digital augmentation should be introduced with
careful attention to the overall user experience (Omidiran et al., 2024). Inclusive design emphasizes anticipating
barriers across abilities and contexts and warns against exclusive reliance on digital channels. Multimodal
strategies are therefore essential to preserve access for older adults and individuals with low digital literacy
(Gilbert, 2019; Spence, 2021). Experimental and co-design work proposes effective features, yet commercial
uptake is constrained by cost, manufacturing feasibility, and a lack of regulatory enforcement (Gulati & Shivani,
2022; Microsoft Packaging & Content Team, 2024). Evidence from elderly-focused packaging suggests that
inclusive strategies confer broader benefits beyond the visually impaired community, further justifying policy
and standards that normalize accessibility across the market (Mustić et al., 2025). Cultural specificity remains
underexamined, particularly in multilingual contexts such as Malaysia, where symbol conventions, language
choices, and everyday purchasing practices interact with perception and comprehension. Local validation studies
indicate that even unilateral impairment can depress social functioning and independence, implying that
culturally and linguistically responsive packaging strategies are necessary to ensure inclusion (Loke et al., 2025).
Although this paper is conceptual, future empirical validation is essential to demonstrate how inclusive
packaging strategies influence real user comprehension, behavior, and emotional responses. Pilot usability tests
or co-design sessions with visually impaired users could confirm the proposed relationships between tactile cues,
digital access points, and perceived autonomy. Comparative research across regions with strong universal design
adoption, such as Japan or the Nordic countries, could also clarify how socio-cultural and infrastructural factors
shape inclusive packaging practices and scalability.
Despite these technological advances, implementation barriers remain significant. High production costs may
limit adoption among small manufacturers, while digital literacy gaps among older adults and visually impaired
users can restrict effective use of QR or NFC systems. Moreover, limited internet connection and device
availability in rural regions pose infrastructural challenges. Addressing these constraints through policy
incentives, user education, and low-cost tactile alternatives would improve adoption feasibility.
Implementation And Future Implications
For industry practitioners, cost-benefit considerations are crucial to encourage real-world adoption. Many
inclusive features such as tactile symbols, large typefaces, and high-contrast palettes that require minimal
investment when integrated early in the design process. Embedding inclusive design checkpoints within
packaging workflows can minimize rework and enhance compliance with accessibility standards. To support
adoption, collaboration among designers, manufacturers, NGOs, and government agencies should focus on
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producing open-source tactile symbol libraries and training modules that simplify implementation for small and
medium enterprises. Policy frameworks that incentivize universal design and consumer education campaigns
will further promote long-term inclusion and awareness. The combination of affordability, education, and shared
design tools can bridge the gap between theoretical frameworks and sustainable industry practice.
CONCLUSION
The study contributes theoretically by situating inclusive packaging within Universal Design Theory, the Social
Model of Disability, and Multisensory Design Theory, while grounding practice through established packaging
guidelines and co-design outputs (Mace, 1998; Oliver, 2020; Spence, 2021; Microsoft Packaging & Content
Team, 2024). Practically, it urges designers to incorporate tactile markers, high contrast typography, clear
iconography, and accessible labeling from the outset and encourages industry and policymakers to adopt and
mandate inclusive standards that move accessibility from discretionary to expected practice. Limitations of this
conceptual paper include reliance on secondary literature and the need for empirical validation. Future research
should prototype and test multisensory packaging strategies in Malaysian and comparable contexts and examine
long-term adoption, cost-effectiveness, and cultural responsiveness, while ensuring digital features are
complemented by tactile and visual elements to avoid exclusion (Gilbert, 2019). While the framework is tailored
to Malaysian demographics, its scalability extends to other cultural contexts where aging populations and
accessibility challenges intersect. Comparative analysis with countries possessing advanced universal design
policies, such as Japan or the Nordic regions, would deepen understanding and global applicability.
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