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ISSN No. 2454-6186 | DOI: 10.47772/IJRISS | Volume IX Issue X October 2025
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Design Strategies for Coastal Cultural and Creative Tourism Brands
Targeting the Elderly
Cao Xinyu
1, 2
*, Lilian Lee Shiau Gee
1
, Emily Yapp Hon Tshin
1
1
Academy of Arts and Creative Technology, Universiti Malaysia Sabah, Sabah 88000, Malaysia
2
No. 9, Nan Zhu Avenue, Beihai Campus, Guilin University of Electronic Technology, Beihai City,
Guangxi Province, 536000, China
*Corresponding Author
DOI: https://dx.doi.org/10.47772/IJRISS.2025.910000773
Received: 07 November 2025; Accepted: 14 November 2025; Published: 24 November 2025
ABSTRACT
The rapid aging of the global population has led to the growth of a senior tourism market, in which older
travelers increasingly seek comfort, cultural enrichment, and meaningful experiences. Coastal cultural and
creative tourism, integrating local heritage, artistic expression, and participatory activities, offers significant
potential to meet these needs. However, many existing coastal tourism brands emphasize youth-oriented
aesthetics and commercialized design, often overlooking the accessibility, emotional engagement, and cultural
relevance required by elderly visitors. This study adopts a qualitative, interview-based approach involving
elderly tourists and professional designers to investigate how brand design strategies can enhance senior-
friendly tourism experiences. Thematic analysis reveals critical dimensionsemotional resonance, cultural
identity, usability, and participatory engagementthat inform a conceptual framework for designing inclusive,
culturally authentic coastal tourism brands. The findings suggest that integrating user-centered design with
destination branding can foster stronger emotional connections, cultural continuity, and sustainable
engagement, ultimately promoting more inclusive, age-friendly tourism environments in coastal regions.
Keywords: Senior tourism; coastal cultural tourism; inclusive design; destination branding
INTRODUCTION
In recent years, the global demographic structure has been undergoing a profound transformation characterized
by rapid population aging. The proportion of people aged 65 and above is expected to reach nearly 16% of the
world’s population by 2050 (Hernigou et al., 2024). This demographic shift has fueled the rise of the so-called
“silver economy,” in which elderly consumers increasingly shape patterns of demand across industries,
including tourism (Gu et al., 2021). The tourism sector, traditionally associated with youth and adventure, is
now adapting to a more mature market where older travelers seek cultural enrichment, comfort, and
meaningful experiences. Coastal regions, with their unique natural landscapes and cultural resources, hold
significant potential to attract senior tourists through cultural and creative tourism. Such tourism forms
integrate artistic creativity, local heritage, and participatory experiences, offering both aesthetic and emotional
satisfaction (Kastenholz & Gronau, 2022). However, many coastal tourism brands still adopt youthful,
commercialized design approaches that fail to address the accessibility, emotional, and cultural needs of
elderly users. This misalignment underscores the need for research on how design strategies can make coastal
cultural and creative tourism brands more inclusive and engaging for older audiences.
Cultural and creative tourism has emerged as a crucial driver of regional revitalization, cultural preservation,
and identity expression (Hua & Wangb, 2024). It transforms static heritage into interactive cultural products,
blending creativity and storytelling to enhance destination branding. Particularly in coastal regions, where
maritime heritage, folklore, and artisanal crafts coexist, creative tourism has the potential to revitalize local
economies while reinforcing cultural identity (Kalfas et al., 2024). Yet, branding practices in these contexts
INTERNATIONAL JOURNAL OF RESEARCH AND INNOVATION IN SOCIAL SCIENCE (IJRISS)
ISSN No. 2454-6186 | DOI: 10.47772/IJRISS | Volume IX Issue X October 2025
www.rsisinternational.org
Page 9457
often emphasize visual novelty, entertainment, and market competitiveness rather than inclusivity or user
empathy. For elderly tourists, who tend to prioritize emotional resonance, legibility, and comfort, such design
tendencies can lead to disengagement. They may perceive the brand environment as visually complex,
physically challenging, or culturally disconnected from their experiences. Therefore, a senior-friendly design
perspective is essential to bridge the gap between cultural creativity and user accessibility, allowing elderly
tourists to connect with local identity through design that feels both familiar and inspiring.
Existing research on elderly tourism has offered valuable insights into travel behavior and motivations.
Scholars have identified key factors influencing senior tourism participation, including safety, comfort, social
belonging, and nostalgia. Studies on age-friendly tourism (den Hoed, 2020) have further emphasized the
importance of accessibility, emotional well-being, and empathetic service design. Meanwhile, the field of
cultural and creative tourism has focused on how cultural symbols, storytelling, and design aesthetics
contribute to destination image and brand identity (Alidoust & Bosman, 2016). Despite these developments,
relatively few studies integrate these perspectives to explore how brand design strategies can simultaneously
convey cultural creativity and respond to the needs of elderly users. Most research has remained fragmented
tourism scholars focus on traveler motivation, while design researchers emphasize aesthetics and symbolism,
leaving the intersection of aging, design, and brand communication underexplored.
In addition, destination branding studies have predominantly adopted marketing-driven models, such as brand
equity and image perception frameworks (Bick, 2009). These approaches, while effective in understanding
consumer perception, often overlook the role of design as a communicative medium that shapes multisensory
and emotional experiences. In the context of an aging population, inclusive design principles are increasingly
critical. Elderly individuals may face physical or perceptual barriers that influence how they interpret visual
cues, interact with brand environments, and form emotional connections with destinations. Therefore, design
becomes not merely an aesthetic choice but a social responsibility that mediates between cultural meaning and
user accessibility. Yet, few studies have systematically examined how design strategies can create cultural
tourism brands that are both age-inclusive and expressive of coastal identity. This research seeks to fill that gap
by proposing a framework that aligns design practice with the specific expectations of elderly tourists in
coastal creative contexts.
To address these gaps, the present study employs a qualitative interview-based approach to investigate how
coastal cultural and creative tourism brands can better engage elderly audiences through design. Semi-
structured interviews were conducted with two key participant groups: elderly tourists who have participated in
coastal cultural tourism, and professional designers or brand managers involved in tourism-related projects.
This dual perspective allows for a comprehensive understanding of both user experience and professional
design considerations. The interviews explore topics such as emotional connection to coastal culture, visual
preferences, perceived accessibility, and satisfaction with existing tourism brands. Through thematic analysis,
recurring patterns and insights are extracted to identify the core dimensions that define a senior-friendly brand
experience. The qualitative nature of this research enables an in-depth exploration of subjective perceptions,
values, and meanings that are often overlooked in quantitative surveys.
This research makes several theoretical and practical contributions. Theoretically, it expands the literature on
destination branding by integrating principles from inclusive design and cultural creativity, offering a
framework that highlights the role of design in mediating between user needs and cultural expression. It also
enriches the discourse on aging and tourism by introducing a design-oriented perspective that goes beyond
accessibility to consider emotional and symbolic dimensions of experience. Practically, the findings provide
actionable insights for tourism managers, brand strategists, and designers seeking to attract elderly visitors in
coastal regions. By translating user insights from interviews into design principles, the study contributes to the
development of age-friendly brand identities, communication systems, and tourism experiences that promote
INTERNATIONAL JOURNAL OF RESEARCH AND INNOVATION IN SOCIAL SCIENCE (IJRISS)
ISSN No. 2454-6186 | DOI: 10.47772/IJRISS | Volume IX Issue X October 2025
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Page 9458
emotional comfort, recognition, and belonging. Furthermore, by focusing on coastal cultural heritage, the
research supports sustainable tourism development that values both social inclusion and cultural continuity.
LITERATURE REVIEW
Elderly Tourism and Senior-Friendly Design
The rapid expansion of the global elderly population has led to the rise of a distinctive segment within the
tourism market known as senior tourism. This group is characterized by unique motivations, behavioral
patterns, and expectations shaped by age-related physical, psychological, and social changes. According to
Dabphet (2022), elderly tourists are primarily motivated by relaxation, self-fulfillment, and opportunities for
cultural learning. They tend to value safety, accessibility, and social connection over adventure or novelty.
Aggarwal et al. (2024) further argue that travel among the elderly is not merely leisure-driven but also serves
as a means of maintaining identity and belonging, particularly through cultural and intergenerational
experiences. Consequently, tourism offerings must address both functional and emotional dimensions of travel
satisfaction.
The concept of senior-friendly design has become central to this discussion. Rooted in universal design and
inclusive design principles, it seeks to ensure accessibility, usability, and comfort for users of all abilities
(Zhang & Pan, 2021). In the tourism context, this translates into not only barrier-free infrastructure but also
sensory clarity, intuitive communication, and emotionally supportive environments. Lee et al. (2024)
emphasizes that age-friendly tourism should engage elderly tourists cognitively and emotionally through
design that promotes dignity, confidence, and autonomy. Recent studies have extended this idea to include
digital accessibility and visual legibility in tourism branding (Fabisiak et al., 2021). However, much of the
existing literature still focuses on physical accessibility and service adaptation, with limited attention to
aesthetic and emotional design elements that shape how elderly individuals perceive and connect with a
tourism brand. Addressing these perceptual and affective dimensions through thoughtful design is crucial for
creating inclusive tourism experiences that empower elderly travelers as active participants in cultural
engagement.
Cultural and Creative Tourism in Coastal Regions
Cultural and creative tourism has emerged as a vital mechanism for regional economic growth and cultural
preservation, particularly in destinations seeking differentiation in a competitive global market. It involves the
transformation of cultural resources into creative experiences that engage tourists both intellectually and
emotionally (Guerreiro et al., 2019). Unlike traditional cultural tourism, which often focuses on passive
observation, cultural and creative tourism encourages active participation and co-creation, allowing tourists to
experience culture as a living, evolving process. Duxbury and Richards (2019) argue that creativity serves as
the bridge between tangible heritage and contemporary expression, enabling destinations to sustain
authenticity while appealing to modern audiences.
In coastal regions, cultural and creative tourism takes on distinct spatial and cultural characteristics. Coastal
destinations often integrate maritime culture, fishing traditions, folk festivals, and marine ecology into creative
tourism narratives. For example, the integration of local crafts, seafood culture, and coastal art installations
contributes to unique brand identities that distinguish one region from another. Studies by Suriyankietkaew et
al. (2025) indicate that such destinations can strengthen cultural resilience and community participation by
embedding creativity into tourism development. However, while the aesthetic and symbolic value of coastal
culture is well recognized, few studies have examined how these cultural resources are translated into coherent
and inclusive brand design systems. Moreover, many branding practices in coastal tourism remain
commercially driven, emphasizing visual spectacle over cultural depth or user inclusivity. As a result, the
potential of coastal cultural tourism to appeal to elderly audienceswho may value nostalgia, cultural
continuity, and emotional authenticityremains largely underexplored. This research thus situates itself at the
intersection of coastal identity, cultural creativity, and age-inclusive design.
INTERNATIONAL JOURNAL OF RESEARCH AND INNOVATION IN SOCIAL SCIENCE (IJRISS)
ISSN No. 2454-6186 | DOI: 10.47772/IJRISS | Volume IX Issue X October 2025
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Destination Branding and Experience Design
Destination branding has become a key strategy for building competitiveness in the global tourism market. It
involves creating a distinct identity and emotional image that differentiate a destination from its competitors
(Agapito & Lacerda, 2014). Traditional models of brand equity focus on cognitive processes such as
awareness, image, and loyalty, but contemporary research increasingly emphasizes experiential and emotional
dimensions. Experience Economy theory suggests that successful brands offer memorable experiences rather
than mere products or services. In tourism, this perspective has led to the rise of experiential branding, where
destinations design sensory, narrative, and participatory experiences to foster emotional bonds with visitors.
Design plays an essential role in this process. Visual identity systemssuch as logos, typography, and color
schemes—serve as semiotic tools that communicate a destination’s personality and values. Furthermore,
narrative design and storytelling reinforce cultural authenticity and emotional resonance. However, most
destination branding studies have focused on general audiences, neglecting how specific demographic groups,
particularly elderly travelers, interpret and emotionally engage with brand cues. The perception of brand
experience is influenced by age, cultural background, and cognitive style. Elderly audiences may respond
differently to design stimuli, valuing simplicity, familiarity, and readability over visual complexity. Inclusive
design approaches can enhance brand experience by addressing such perceptual diversity. Yet, empirical
applications of inclusive design within destination branding remain scarce. This study therefore integrates
experience design theory with inclusive design principles to propose a framework for age-friendly cultural
tourism branding in coastal contexts.
Research Gap
The existing literature provides valuable insights into senior tourism behavior, cultural and creative tourism
development, and destination branding practices. However, several gaps remain unaddressed. First, most
research on senior tourism emphasizes accessibility and service design, overlooking the aesthetic, emotional,
and symbolic dimensions of how elderly individuals experience tourism brands. Second, studies on cultural
and creative tourism tend to prioritize economic and cultural sustainability outcomes, paying limited attention
to inclusivity and user diversity. Third, while destination branding literature increasingly recognizes the
importance of emotional and experiential design, it rarely incorporates inclusive design frameworks that
account for the sensory and cognitive preferences of older users. These limitations suggest a need for an
integrative approach that combines cultural creativity, user-centered design, and brand communication to
support more inclusive and resonant tourism experiences.
RESEARCH METHODOLOGY
Research Design
This study adopts a qualitative research design aimed at exploring the perceptual, emotional, and cultural
needs of elderly tourists in coastal cultural and creative tourism contexts. Qualitative methods are particularly
suitable for this research because they allow for an in-depth understanding of personal experiences, meanings,
and values that cannot be easily captured through quantitative surveys. Following the interpretivist paradigm,
the study emphasizes the subjective interpretation of elderly users’ experiences and the contextualized nature
of brand perception. The research combines two main components: semi-structured interviews with elderly
tourists and a case analysis of selected coastal cultural tourism destinations. The interviews provide rich, first-
hand insights into elderly tourists’ preferences, while the case analysis offers contextual evidence of how
existing brands operate and communicate cultural values. Together, these methods help triangulate findings
and build a holistic understanding of the relationship between brand design and elderly user experience. This
approach also reflects a user-centered design philosophy, emphasizing empathy and inclusivity in tourism
branding. The qualitative design thus enables the identification of recurring themes, emotional patterns, and
design implications that can guide the formulation of senior-friendly brand strategies for coastal cultural and
creative tourism.
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Interview Participants
The primary data for this study were collected through semi-structured interviews with elderly participants
who had experience visiting coastal cultural tourism destinations. A total of 24 participants aged between 60
and 78 were recruited using purposive sampling to ensure diversity in gender, education, and travel experience.
Participants were drawn from three coastal regions in ChinaXiamen, Qingdao, and Wenzhourepresenting
different levels of tourism development and cultural identity. Each participant had engaged in at least one form
of cultural or creative tourism activity, such as visiting art markets, heritage museums, or cultural festivals.
The interview questions focused on four main areas: (1) perceptions of cultural and creative tourism brands,
(2) emotional and aesthetic preferences, (3) accessibility and usability experiences, and (4) expectations for
improved design features. Interviews were conducted face-to-face or via video call, depending on participants’
convenience and mobility, and each session lasted between 40 and 60 minutes. All interviews were audio-
recorded with participants’ consent and later transcribed verbatim for analysis. This purposive, context-
sensitive sampling strategy ensured that the voices of elderly tourists were authentically represented and that
variations in their cultural and geographical backgrounds could be meaningfully interpreted.
Data Analysis Methods
Data collected from the interviews were analyzed using thematic analysis, a method suitable for identifying
patterns of meaning within qualitative data. The analysis followed Braun and Clarke’s (2006) six-step
approach: (1) familiarization with the data through repeated reading of transcripts, (2) generation of initial
codes to categorize key ideas, (3) searching for themes by grouping related codes, (4) reviewing and refining
themes, (5) defining and naming each theme, and (6) synthesizing the findings to derive design implications.
NVivo software was used to assist with data organization, coding, and visualization. The coding process was
both deductiveguided by existing literature on elderly tourism and brand designand inductiveallowing
new, data-driven insights to emerge from participants’ narratives. Through this dual approach, several central
themes were identified, including emotional resonance, accessibility, cultural connection, and brand trust. In
addition, a comparative analysis was conducted across different coastal destinations to examine contextual
influences on elderly tourists’ brand perceptions. To ensure reliability, coding results were cross-checked by
two researchers, and discrepancies were resolved through discussion.
Research Ethics
Ethical considerations were carefully addressed throughout the research process to ensure participant safety,
confidentiality, and dignity. The study received ethical clearance from the institutional review committee prior
to data collection. All participants were provided with detailed information about the research objectives,
procedures, and their rights before participation. Written informed consent was obtained, and participants were
assured that their identities would remain anonymous in all publications and presentations. Pseudonyms were
used in transcripts and analysis to protect individual privacy. Given the elderly participants’ age range, special
attention was paid to ensuring comfort, accessibility, and voluntary engagement during interviews. Participants
were allowed to pause or withdraw at any time without penalty. Audio recordings and transcripts were stored
securely in password-protected files accessible only to the research team. Furthermore, cultural sensitivity was
maintained throughout the research, especially when discussing personal memories and local heritage values.
By adhering to these ethical standards, the study upholds both academic integrity and respect for the lived
experiences of elderly individuals, ensuring that their perspectives are authentically and responsibly
represented in the research findings.
RESULTS AND ANALYSIS
Elderly Tourists’ Perceived Needs in Coastal Cultural Tourism
The interviews revealed that elderly tourists possess distinct physical, cognitive, and emotional needs when
engaging in coastal cultural and creative tourism. Participants consistently emphasized comfort, accessibility,
and safety as fundamental conditions influencing their travel satisfaction. Many reported difficulties navigating
uneven terrain, crowded attractions, or complex signage systems common in coastal destinations. Visual
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clarity, legible typography, and clear wayfinding emerged as key determinants of positive experiences. Beyond
physical accessibility, the elderly also expressed a desire for cultural enrichment and relaxation, describing
travel as a means of maintaining vitality and learning about heritage. Several participants highlighted that they
prefer slow-paced itineraries and quiet, meaningful cultural activitiessuch as traditional craft workshops or
guided storytellingover high-intensity entertainment. These insights indicate that successful coastal tourism
brands should move beyond generic “senior discounts” toward holistic design approaches that integrate
emotional comfort, cultural engagement, and environmental accessibility. By addressing both tangible and
intangible needs, such brands can create inclusive experiences that align with elderly tourists’ physical
capacities and psychological expectations.
Emotional and Cultural Expectations of Elderly Tourists
Emotional connection emerged as one of the most significant factors influencing elderly tourists’ brand
perceptions. Many participants associated travel with nostalgia, memory reconstruction, and cultural
belonging. Coastal destinations with strong cultural narrativessuch as fishing traditions, maritime festivals,
or local folklorewere described as emotionally engaging and spiritually fulfilling. Elderly travelers valued
opportunities to participate in local rituals, taste regional cuisine, or interact with artisans, as these experiences
helped them feel connected to both the past and the present. In contrast, destinations emphasizing modern,
commercialized aesthetics were often perceived as “cold” or “impersonal.Visual design also played a critical
role in shaping emotional impressions: participants preferred calm color palettes, natural textures, and simple
yet elegant design elements that evoke a sense of tranquility. The interviews further revealed that cultural
authenticity and sincerity of brand communication strongly influenced trust and loyalty. Thus, emotional
resonance and cultural continuity form the core of elderly tourists’ expectations, suggesting that brand design
should balance innovation with heritage, and modern appeal with emotional depth.
Evaluation of Existing Coastal Cultural and Creative Tourism Brands
When reflecting on their experiences with existing coastal cultural tourism brands, participants identified
several strengths and weaknesses. On the positive side, many recognized improvements in infrastructure,
service quality, and digital accessibility in recent years. Some destinations have begun incorporating local
artistic motifs and cultural storytelling into their branding, creating a distinctive sense of place. However, most
respondents felt that the overall design orientation remains youth-centered and visually overstimulating. They
noted that promotional materials often rely on small fonts, overly bright colors, and complex layouts, which
can cause visual fatigue or confusion for older audiences. Additionally, many cultural tourism brands failed to
effectively communicate their deeper cultural narratives, instead focusing on superficial imagery or
modernized symbols detached from local identity. Elderly tourists also expressed frustration with inconsistent
brand experienceslogos, visual themes, and on-site designs often lacked coherence. These findings
underscore a critical gap between the intended creative expression of destination brands and the perceptual and
functional needs of elderly visitors. In essence, while creativity is abundant, inclusivity and emotional
alignment remain insufficient.
Emerging Design Challenges and Opportunities
From the analysis, several recurring challenges and potential opportunities for brand design improvement were
identified. The main challenges include (1) inadequate consideration of age-related perceptual limitations, (2)
lack of senior-friendly visual communication systems, and (3) insufficient emotional storytelling linking brand
identity with cultural heritage. These issues point to the absence of an inclusive design mindset in the current
coastal tourism branding landscape. Nevertheless, the study also highlights promising opportunities for
transformation. Many elderly participants demonstrated strong interest in cultural learning, suggesting a
potential for brands to design participatory and educational experiencessuch as interactive heritage
workshops or community-based creative events. Moreover, digital technology, if designed with accessibility
principles, could enhance elderly engagement through voice navigation, adjustable interfaces, and virtual
previews. The interviews suggest that future brand strategies should emphasize three design priorities:
emotional resonance, human-centered accessibility, and cultural authenticity. By integrating these dimensions,
coastal cultural and creative tourism brands can evolve from visually attractive but superficial symbols into
meaningful, age-inclusive cultural experiences that sustain long-term loyalty and social value.
INTERNATIONAL JOURNAL OF RESEARCH AND INNOVATION IN SOCIAL SCIENCE (IJRISS)
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DISCUSSION
Key Design Principles for Elderly-Oriented Coastal Tourism Brands
The findings of this study highlight several interrelated principles that should guide the development of coastal
cultural and creative tourism brands targeting elderly audiences. First, human-centered accessibility is
fundamental. Brand design should consider physical and cognitive accessibility through clear information
systems, legible typography, intuitive navigation, and comfortable spatial layouts. Visual communication must
avoid sensory overload and prioritize clarity, simplicity, and familiarity. Second, emotional resonance plays a
crucial role in shaping brand identity. Elderly tourists value experiences that evoke nostalgia, belonging, and
emotional warmth, suggesting that branding should integrate storytelling elements that connect personal
memories with local heritage. Third, cultural continuity should be embedded in design strategies. Rather than
relying solely on modern aesthetics, successful brands must preserve and reinterpret traditional symbols, crafts,
and maritime narratives that reflect the distinct identity of coastal regions. Fourth, visual harmony and comfort
are important aesthetic considerationssoft color palettes, balanced composition, and natural imagery can
foster emotional relaxation and trust. Finally, inclusive engagement encourages active participation by elderly
users, enabling them to co-create meaning through cultural experiences. Together, these principles provide a
holistic foundation for designing brand systems that are not only creative but also inclusive, empathetic, and
culturally sustainable.
The Proposed Senior-Friendly Brand Design Framework
Based on these principles, this study proposes a conceptual framework integrating three interconnected
dimensions: User Needs, Cultural Identity, and Design Expression. At the first level, User Needs refer to
functional, cognitive, and emotional requirements derived from elderly tourists’ lived experiences. These
needs include safety, accessibility, comprehension, and emotional engagement. At the second level, Cultural
Identity represents the local heritage, artistic expression, and community values that define the authenticity of
coastal destinations. The third level, Design Expression, involves the translation of both user and cultural
insights into tangible design elementssuch as visual identity, environmental graphics, interactive
experiences, and narrative communication. The framework operates through a feedback loop in which
continuous interaction between designers, elderly users, and cultural stakeholders refines the brand experience.
Conceptually, the model positions inclusivity and cultural authenticity as the central axis, surrounded by three
dynamic processes: perception (how elderly tourists experience the brand), participation (how they engage in
cultural activities), and preservation (how the brand sustains heritage and social meaning). This systemic
approach bridges human-centered design theory with destination branding practice, ensuring that creativity
serves both aesthetic innovation and social inclusion.
Practical and Theoretical Implications
The proposed framework carries significant implications for both design practice and academic research. From
a practical perspective, it offers actionable strategies for tourism developers, destination managers, and
designers to create more inclusive and sustainable brand experiences. Practitioners should adopt participatory
design methods that involve elderly users throughout the creative processfrom conceptual ideation to
prototype testingthereby ensuring authenticity and usability. Moreover, integrating accessible digital tools,
such as voice-guided interfaces or simplified booking systems, can enhance elderly tourists’ engagement in the
digital era. For policymakers, the findings underscore the need to incorporate age-friendly design standards
into tourism infrastructure and branding guidelines, particularly in coastal regions undergoing cultural
revitalization. From a theoretical standpoint, this research expands the scope of destination branding studies by
introducing an age-inclusive cultural design perspective, linking gerontological insights with creative branding
theory. It also contributes to the broader discourse on sustainable cultural tourism by demonstrating how
emotional design and cultural continuity can coexist within a modern branding context. Ultimately, the study
promotes a paradigm shiftfrom viewing elderly tourists as passive consumers to recognizing them as active
cultural participants whose experiences enrich both brand meaning and social cohesion.
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CONCLUSION
This study explored the design strategies for coastal cultural and creative tourism brands targeting elderly
audiences, focusing on how human-centered, emotionally resonant, and culturally authentic design can
enhance elderly tourists’ experiences. Through semi-structured interviews and qualitative thematic analysis,
the research revealed that elderly tourists’ needs extend beyond basic accessibility or comfort; they seek
meaningful cultural connections, emotional fulfillment, and a sense of belonging. The findings demonstrated
that elderly travelers are not passive consumers but active participants who value learning, interaction, and
self-expression through cultural experiences. However, current coastal tourism brands often fail to
accommodate these preferences, relying heavily on youth-oriented aesthetics and fragmented brand
communication. The proposed senior-friendly design framework integrates three essential dimensionsuser
needs, cultural identity, and design expressionforming an inclusive system that aligns creativity with
usability and cultural continuity. Overall, this study highlights the necessity of reimagining coastal tourism
branding from a perspective that respects both aging diversity and cultural heritage, thereby contributing to the
sustainability and inclusiveness of cultural and creative tourism in an aging society.
Building upon the research insights, several practical recommendations can be proposed for designers, tourism
managers, and policymakers seeking to develop senior-friendly coastal tourism brands. First, brand
communication should adopt a more empathetic and accessible visual languageemploying clear typography,
soft color palettes, and legible layoutsto accommodate age-related perceptual differences. Second,
destination branding should emphasize storytelling rooted in local culture, allowing elderly tourists to connect
emotionally through familiar narratives, maritime traditions, and community memories. Designers are
encouraged to use participatory approaches, inviting elderly stakeholders to contribute to the ideation and
testing stages, ensuring that design outcomes reflect real user needs. In addition, service design and digital
interfaces should be optimized for elderly accessibility, integrating intuitive navigation, audio guidance, and
adaptive technologies. Tourism managers can also enhance the sense of belonging by creating
intergenerational experiences that involve both seniors and younger participants in creative cultural activities.
Finally, policymakers should incorporate age-friendly design standards into tourism planning frameworks and
encourage cross-sector collaboration among cultural institutions, design organizations, and health-related
agencies. These practical actions will not only improve elderly tourists’ satisfaction but also promote more
equitable and culturally rich tourism environments in coastal regions.
Despite its contributions, this study has several limitations that provide avenues for future exploration. First,
the research is based on a qualitative design with a relatively small sample of elderly participants from three
coastal regions in China. While the findings offer valuable insights, they may not fully capture the diversity of
elderly tourists’ experiences across different cultural, economic, or geographical contexts. Future research
could expand the sample size or employ a mixed-methods approach, combining quantitative surveys with
experimental design evaluation to validate the proposed framework. Second, the study focused primarily on
elderly tourists’ perceptions rather than the perspectives of designers or destination managers, whose
viewpoints could offer complementary insights into practical constraints and innovation opportunities.
Subsequent studies may adopt a multi-stakeholder approach to explore collaborative brand design processes.
Moreover, longitudinal studies could investigate how elderly tourists’ preferences evolve with technological
advances and changing social attitudes toward aging. Finally, cross-cultural comparisons between Eastern and
Western coastal tourism destinations would enrich understanding of how cultural context influences elderly-
oriented design strategies. By addressing these limitations, future research can refine and extend the
framework proposed in this study, further advancing inclusive and sustainable design in cultural and creative
tourism.
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