engineering: both involve constructing systems, testing possibilities, and embedding values in form.
Narrative as technology also challenges the dichotomy between science and literature. It suggests that
imagination is itself a technical act, a form of design thinking that precedes invention, linking creativity
directly to technological citizenship. The African child, by crafting science fiction, is therefore simultaneously
producing art and also performing civic technics, embedding themselves within the continuum of African
technological identity.
Civic Technological Ethics Through the Eyes of the Child
The ethical dimension of technology has too often been monopolized by adult experts in philosophy, law, or
policy. Yet children possess a distinctive ethical imagination characterized by acute sensitivity to fairness,
justice, and community (Hart, 1992). When African children narrate speculative futures, they are
simultaneously interrogating the ethical boundaries of those futures. Recognizing this perspective advances
epistemic justice by admitting children’s moral reasoning into the governance of science.
The CADP’s training already demonstrates this. For example, the development of the NoiseMaster story – a
device that silences sound and amplifies thoughts – engages fundamental ethical questions about privacy,
surveillance, and freedom of expression. Children who imagine such devices are effectively participating in
anticipatory governance, exercising civic ethics for futures still in design.
This ethical imagination is critical in domains such as artificial intelligence, biotechnology, and climate
engineering, where Africa’s voice is often marginalized. In embedding children’s ethical reflections into public
discourse, CADP ensures that technological futures are grounded in values of justice, sustainability, and
communal well-being. The African child as a technological citizen thus emerges as an inventor and also as a
moral philosopher of technoscience.
The Economics of Child Technological Citizenship
Recognizing the African child as a technological citizen also requires re-evaluating economic value. A child’s
speculative story is not play but intellectual property – creative capital with measurable, long-term potential for
Africa’s innovation economy. In an era where storytelling fuels industries such as film, gaming, and virtual
reality, African children’s narratives represent an untapped reservoir of creative capital (Deuze, 2007).
CADP already models this civic economy through cash awards, publication pathways, and public
sponsorships. Each incentive signals that technoscientific imagination itself is productive labour contributing
to the continent’s knowledge economy. Yet the larger challenge is to construct an ecosystem where child-
authored stories seed new industries. A speculative narrative may inspire a film adaptation, a video game, or a
design prototype. Each story becomes a low-cost research prototype, illustrating how narrative as technology
can generate real economic outcomes. By treating children’s authorship as the foundation of creative
economies, African states can transform what is often dismissed as play into engines of technoscientific
development, an entry point for technological entrepreneurship and civic innovation – an act of counter-
hegemony against predatory global markets.
This approach also resonates with the African Union’s call for knowledge economies under Agenda 2063 (AU,
2015). Child-authorship, properly institutionalized, aligns with this vision by ensuring that intellectual capital
emerges early and is distributed widely. The African child, therefore, becomes a technological citizen, an
economic agent whose creativity fuels continental technological growth.
Pan-African Futures: Child Citizenship Beyond Borders
The framing of the African child as a technological citizen must transcend national boundaries. Pan-
Africanism, historically concerned with political liberation and cultural unity, must now embrace technological
independence as a continental project. The CADP provides a model for such integration by envisioning cross-
border collaborations among child-authors. Picture Nigerian, Kenyan, and South African children co-writing
speculative prototypes – stories that imagine continental energy networks, shared digital currencies, or
cooperative African AI systems. Such narratives would not only promote cross-cultural solidarity but also