into Initial Teacher Education (ITE) has gained momentum in recent years, aiming to equip pre-service
teachers with the competences required for 21st-century teaching (European Commission 2023b). A central
element of this process is the work of eTwinning ITE Ambassadors, experienced teacher educators and
academics who embed eTwinning in higher education (HE), mentor student teachers, and support teacher
educators in designing eTwinning-based activities. The Ambassadors’ role extends beyond promotion, i.e. they
act as pedagogical guides who model collaborative practices, foster professional networking, and encourage
reflective approaches to digital pedagogy (Belic Malinić 2025). Yet despite their growing prominence, limited
scholarly attention has been paid to their contribution, particularly in relation to multimodality, or the use of
multiple semiotic resources such as text, image, sound, gesture, and digital media to construct meaning (Kress
2010; Jewitt 2014).
Multimodality is especially relevant to ELT and ITE. Research shows that multimodal approaches deepen
communicative competence, enhance creativity, and enable learners to express meaning through diverse
representational forms (Kalantzis and Cope 2020; Jewitt 2014). In collaborative environments such as
eTwinning, multimodality is not a supplement but a central practice: projects frequently involve digital
storytelling, collaborative videos, infographics, and virtual exhibitions, among other things, each requiring the
integration of multimodal literacies. Understanding how eTwinning supports such practices in ITE, and how
Ambassadors and teacher educators scaffold them, is therefore crucial for ELT practitioners.
Despite this relevance, gaps remain. Research has mainly addressed eTwinning’s impact on professional
development (Huertas-Abril et al. 2025), its integration into ITE (Napal-Fraile et al. 2024; Tosi 2023), and
student teachers’ experiences with collaboration (Gülbay 2018). Yet few studies explicitly explore
multimodality in eTwinning-based ITE, and fewer still analyze the Ambassador’s and teacher educator’s role.
Furthermore, while countries such as Italy, Spain, and Turkey feature prominently in research, smaller
contexts, such as North Macedonia, remain underrepresented.
This paper addresses these gaps by examining the intersection of multimodality, eTwinning, and ITE. Framed
within the European context, it synthesises existing scholarship while offering practice-oriented
recommendations. Its aims are threefold: to conceptualise the role of multimodality in eTwinning-based
collaboration for pre-service ELT teachers; to analyze the Ambassador’s and teacher educator’s role in
scaffolding multimodal practices in HE; and to propose strategies for embedding multimodal eTwinning
projects in ITE curricula. The study’s significance lies in its contribution to both scholarship and practice: for
researchers, it highlights an underexplored nexus and future directions for inquiry; for practitioners, it offers a
framework for designing multimodal, collaborative projects that prepare student teachers to create inclusive,
intercultural, and technologically enriched classrooms.
CONCEPTUAL AND THEORETICAL BACKGROUND
Multimodality in education
The concept of multimodality has become increasingly central to discussions of pedagogy in the digital age.
Rooted in social semiotics (Kress 2010; Jewitt 2014), multimodality refers to the idea that meaning is
constructed not only through language but also through a range of semiotic resources, including images,
gestures, sounds, spatial arrangements, and digital media. The so-called “multimodal turn” (Jewitt 2014)
recognises that language is almost always co-deployed with other semiotic systems, and that meaning is made
multimodally through the orchestration of these diverse resources. Within education, multimodality highlights
the diverse ways in which learners engage with and represent knowledge. For language education, it is
particularly significant, as teachers must attend not only to written and spoken language but also to visual,
auditory, and interactive dimensions of communication. As Kalantzis and Cope (2020) note, 21st-century
literacy is inherently multimodal, requiring learners to interpret and produce hybrid texts that combine words,
visuals, audio, and interactive features. In this sense, multimodality is not an optional extension but a
fundamental dimension of communicative competence.
In practice, multimodal pedagogy involves the design of tasks and environments in which learners actively
combine modes to construct meaning. Examples include digital storytelling projects that integrate narrative,