Navigating The Labyrinth: Aravind Adiga's Amnesty as a  
Contemporary Diasporic Novel  
Dr. Deepak H. Shinde  
Assistant Professor Department of English Karnataka State Akkamahadevi Women University  
Jnanashakti Campus, Toravi Vijayapura, India  
Received: 05 November 2025; Accepted: 12 November 2025; Published: 18 November 2025  
ABSTRACT  
This Paper Aims to Investigate Aravind Adiga’s The Novel Amnesty Through the Lens of Contemporary  
Diasporic Approach. As It Delineates the Tale of an Illegal Immigrant in Australia, Who Land There with A  
Student Visa and Later Decides to Stay Over Illegally. Thereby Manifests to Gain Legal and Permanent Status.  
The Novel Echoes Several Diasporic Themes and Situations Depicting the Ordeals of Immigrants. This Study  
Focuses on the Protagonist, Danny and His Diasporic Experiences as He Encounters Them Emphasizing on  
Identity, Displacement, Cultural Hybridity and Assimilation.  
Keywords: Navigation, Immigration, Identity, Displacement, Diaspora, Consciousness  
Aravind Adiga is a renowned Indian author, has consistently distinguished himself through “incisive narratives  
that illuminate the dynamic landscape of modern India” He is well known for his uncompromising exploration  
of the “stark realities of inequality and social injustice’’ in his literary works which reflects in his most notable  
work, Man Booker Prize-winning the White Tiger. In addition to exploring deep subjects like “neocolonialism,  
globalization, and clash of tradition with progress,’’ Adiga’s works usually focus on “marginalized  
individuals.” This authorial vision is celebrated for “reshaping Indian literatureand significantly contributing  
to “postcolonial discourse”. Adiga’s experience as journalist for well-known magazines like Time and the  
Financial Times imbues his fiction with keen observational eye and a critical engagement with socio-political  
realities.  
Amnesty is primarily set in Sydney, Australia, and the story revolves around the protagonist, Dhananjaya  
Rajaratnam also known as Danny in the novel. He is young illegal immigrant from Sri Lanka. Danny arrives  
on student visa, four years prior but chose to overstay, taking up the job of a cleaner. The novel’s narrative  
unfolds intensely over the course of a single day, the narrative begins when, Danny learns that his former  
client, Radha Thomas, has been murdered. Crucially, Danny has important information about Dr. Prakash, the  
murderer, who also happens to be his client. This discovery thrust Danny into profound moral dilemma:  
whether to come forward with his knowledge and risk his deportation, thereby jeopardizing his painstaking  
constructed “new identity” and “new life” in Sydney, or to maintain silence.  
This is the central conflict that compels Danny to, wrestle with his conscience to decide if a person without  
rights still has responsibilities. This question elevates the novel above the level of a simple thriller and turns  
into a deep philosophical investigation into what morality and citizenship means to people living in legally  
ambiguous state. By posing this quandary, Adiga impels readers to critically examine the ethical implications  
of denying fundamental human rights to individuals while expecting them to adhere to societal responsibilities,  
thereby raising concern of understanding the social contract. Danny’s precarious situation is vested in his past;  
he fled Sri Lanka due to civil strife and was denied refugee status. Amnesty profoundly embodies and critically  
examines the key themes of diasporic literature through the character of Danny as an undocumented  
immigrant. The novel offers a brutal critique of systematic injustice, globalized precarity and intricate  
psychological terrain of identity and belonging in the host land.  
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The Protagonist's Liminality: Identity and Displacement in Danny's World  
Danny, whose full name is Dhananjaya Rajaratnam, is identified as a Sri Lankan Tamil. He had to flee his  
country because of the civil unrest and widespread concerns about his safety, which were made worse by the  
fact that he was “misidentified as a Tamil terrorist”. This background immediately establishes his status as a  
doubly marginalized individual: a minority within his country of origin and unauthorized alien in a foreign  
land. Danny’s identity in own country is as minority is marginalized and dominated by the majority  
communities, as he was suspected to be a terrorist in his country, the excerpt from the novel below exhibits  
this,  
I wrote it. He said, ‘Not in Tamil.’ I wrote it in English. ‘Not in English,’ he said, ‘Write it in the national  
language.’ Sinhala. I picked up the pen, and my hand was trembling as wrote. He said, ‘That’s not the way you  
write it in the national language, I’ll show you how to write Danny in the national language,’ and he stubbed  
his cigarette into my forearm. As I was screaming, as he kept his cigarette held down, I could hear him ask the  
same questions again. What is your name? What is your father’s name? What is—” (157)  
Adiga presents Danny’s name change as a crucial aspect of his diasporic identity negotiation. Danny, an  
undocumented immigrant in Australia, lives in liminal space torn between his unstable present and his history  
in Sri Lanka. His name, once a marker of his ethnic and cultural origins, becomes a liability since it may reveal  
his standing and hinder his integration into the prevailing society called the City of Sydney. Small things fit  
into bigger ones, automatic toll booths fit into ATMs, and they fit into swipe cards and into pay-wave cards,  
and all of this adds up to one anytime-and-everywhere machine which is hunting for a man named Dhananjaya  
Rajaratnam- Danny ( 34)  
A common occurrence in a diasporic experience is renaming, in which immigrants change their names to  
conform to the cultural norms of their new nation. This transformation is not merely cosmetic but reflects a  
deeper psychological and social adaptation. This is an act of survival by altering his name; Danny attempts to  
erase traces of his foreignness, making himself less conspicuous in society that scrutinizes outsiders. This  
phenomenon echoes in many diasporic narratives.  
Danny’s name change is consequently a diasporic necessity and strategic response to systematic exclusion and  
cultural displacement. In order to survive in harsh sociopolitical environment, immigrants constantly  
renegotiate their identities. His transformation is testament to the complexities of diasporic existence, where  
identity is never fixed but continuously reshaped by migration, adaptation, and survival.  
Danny’s whole life in Sydney is characterized by a state of “legal liminality”- a situation in which he is  
“gripped and besieged by myriad daily fears and anxieties” while yet harboring a strong desire to fit or attain  
legal status. He is effectively a “persona non grata in Sydney’’ forced to live invisible and undocumented.  
Diasporic experiences are engraved by a deep sense of “inbetweenness” which is created by this precarious  
position. He suspended between his Sri Lankan past, where is he actively fears returning to, and current  
situation as an Australian perpetually exists on the periphery of society.  
Thematic Deep Dive: Cultural Hybridity, Alienation, and the Search for Home  
Diasporic literature inherently explores “cultural hybridity” and “creolization” reflecting how individuals  
navigating through multiple cultural influences and identities. Danny is making conscious efforts to forge his  
“new identity” by learning Australian accent or changing his hair style by colouring it with golden highlights  
serve as a prime example of this phenomenon. This is evident from a passage in the novel depicted as:  
. . .brown people told Danny, and he, with his innate instinct for double or nothing, had streaked his hair in a  
barbershop. Standing in front of a mirror, he had imitated the gaze of an Australian-born man:...Since they  
must see me, Danny thought, let me be seen this waynot as a scared illegal with furtive eyes but as a native  
son of Sydney, a man with those golden highlights, with that erect back, that insolent indifference in every cell  
of his body. Let them observe that Danny is extremely icebox. (49)  
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However, this transformation does not lead him to full acceptance in the society, rather it creates rather it  
reinforces his liminal existence where he is neither fully Sri Lankan nor entirely Australian.  
.... the tongue of an Australian. Never say receipt with the P. Be generous with I rekon’. He always buys a  
ticket for not getting into the complexities of scrutiny and interrogation. He works honestly, efficiently and he  
has decided into his mind that he will not go back home. ‘I am never going back home’. (38)  
But this cultural hybridity and his constant struggle to assimilate in the host land deepen intensely and  
desperately as he aspires to have legal status. The aversion towards his home land stems from his civil strife  
and the false accusation he had faced. This inherent tension between a rejected, traumatic past and a desire, yet  
elusive, future is core aspect of “nostalgia and memory” in diasporic writings. Danny yearns for life the  
illusive sense of stability, dignity, and belonging that was either lost or never fully achieved.  
Amnesty is a significant contribution to contemporary diasporic literature because it moves beyond traditional  
narratives of cultural dislocation to offer a sharp, politically charged critique of global power structures and  
immigration policies. By using the structure of a thriller unfolding over a single day, Adiga heightens the  
urgency and claustrophobia of the migrant experience, humanizing a complex and often abstract global issue  
for his readers. The novel is a call to action, forcing readers to reckon with the systemic inequalities ingrained  
in the current global order and promoting empathy for the marginalized voices often unheard in dominant  
narratives.  
Aravind Adiga’s Amnesty is powerful and critical contribution to contemporary diasporic literature. The novel  
painstakingly and meticulously examines the complex issues of displacement, identity formation and the  
neverending struggle for existence in a precarious legal state. Adiga masterfully employs the concentrated  
narrative time frame and an intimate first-person perspective to immerse the readers in the psychological  
landscape of the protagonist which is haunted by paranoia, anxiety, and a constant negotiation of his “invisible  
yet vital” presence. The novel offers an unflinching critique of socio-political scenarios in the diasporic space.  
As it exposes the systemic injustices embedded within modern policies, revealing how exploitative labor  
practices and arbitrary citizenship distinctions are used by core developed nations to maintain neocolonial  
dynamics.  
REFERENCES  
1. Adiga, Aravind. Amnesty. Picador, 2021.  
2. Chakrabarti, Ananya. "The Paranoia of Fear: Psychological Impacts on Undocumented Immigrants."  
Journal of Immigrant Psychology, vol. 7, no. 2, 2018, pp. 110-128. 3.  
3. Festinger, Leon. A Theory of Cognitive Dissonance. Stanford University Press, 1957.  
4. Freud, Sigmund. Inhibitions, Symptoms, and Anxiety. Norton, 1926.  
5. Garner Dwight, s. Amnesty an Immigrant’s view Conveyed with Authority and Wit, The New York  
time, Feb 2020.  
6. Gaylord Joan, Amnesty sets up a moral dilemma, The Christian Science Monitor, April 2020  
7. Janoff-Bulman, Ronnie. Shattered Assumptions: Toward a New Psychology of Trauma. Free Press,  
1992  
8. May, Rollo. The Meaning of Anxiety. Ronald Press, 1950.  
9. Maslow, Abraham H. "A Theory of Human Motivation." Psychological Review, vol. 50, no. 4, 1943,  
pp.  
10. 370-396.  
11. Portes, Alejandro. Immigrant America: A Portrait. University of California Press, 2008  
12. Rashid Tanjil, Amnesty by Aravind Adiga review - a migrants tale, The Guardian, Feb 2020  
13. Upchurch Michael, “Aravind Adiga’s complex Amnesty encompasses worlds within worlds.” The  
Seattle Times, Feb 2020.  
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