Theoretical Framework
Social Identity Theory
Henri Tajfel and John Turner’s Social Identity Theory emphasizes the division of groups into “ingroup” and
“outgroup,” where membership shapes pride, stigma, and belonging. Applied to slavery, whiteness dominated
the ingroup while Blackness was cast into the outgroup. This framework explains Sethe’s and the community’s
struggles to rebuild a collective African American identity. However, the theory’s limitation lies in its
abstraction: it does not fully capture intersectional experiences of race, gender, and ecology that Morrison
foregrounds. For example, Sethe’s motherhood, Baby Suggs’s spiritual authority, and Denver’s coming-of-age
demonstrate how gendered identities complicate collective belonging. Morrison shows that survival requires
not only group solidarity but also acknowledgment of women’s leadership and embodied memory in shaping
identity.
Eco-Race Theory
Eco-Race Theory, emerging from the work of Robert D. Bullard and Benjamin Chavis Jr., demonstrates that
race and environment are intertwined, with marginalized groups often subjected to ecological harm. In
Beloved, landscapes such as the plantation, the haunted house, and the Clearing are ecological sites marked by
slavery’s racial violence. Yet, Eco-Race Theory has been critiqued for being U.S.-centric, privileging
environmental racism in policy terms without always accounting for symbolic, cultural, and literary
expressions. Morrison’s novel broadens the framework by showing how ecology also functions as a space of
memory and haunting. Connecting this to contemporary debates, we see resonances with environmental justice
struggles such as the Flint water crisis and Hurricane Katrina, where race again determined vulnerability,
displacement, and resilience.
Analysis
Identity, Ingroup, and Outgroup
Slavery denied enslaved people individuality. Sethe recalls that her back was branded with scars that looked
like a “chokecherry tree” (p. 20), marking her body as property. This dehumanization placed her in the racial
outgroup. Yet Social Identity Theory explains that African Americans created ingroups for survival. Baby
Suggs preaches in the Clearing, “Here, in this place, we flesh; flesh that weeps, laughs; flesh that dances on
bare feet in grass” (p. 103). This communal ritual turns an outgroup into an empowered ingroup, reclaiming
dignity through community and environment.
Trauma, Memory, and Collective Identity
Beloved herself is a symbol of trauma. She tells Sethe, “I am Beloved and she is mine” (p. 248), binding Sethe
to the memory of slavery and loss. Social Identity Theory suggests that trauma isolates, but collective
recognition heals. The final scene, where women unite to exorcise Beloved, shows this: “In the beginning there
were no words. In the beginning was the sound, the collective pounding of the women” (p. 305). Their
solidarity reclaims identity as shared rather than broken.
The Plantation as an Ecological Prison
Sweet Home plantation is described with deceptive beauty: “It was a lovely place, but none of the men knew
it” (p. 12). The land is fertile, but enslaved men and women cannot belong to it. Eco-Race Theory explains that
the plantation reduced both land and people to exploitation. Sethe recalls, “There is no bad luck in the world
but whitefolks” (p. 104), linking racial domination to ecological exile.
A Haunted Landscape
The house at 124 is not neutral. Morrison writes, “124 was loud. 124 was spiteful. 124 was quiet” (p. 3). The
house carries the spirit of Beloved, embodying the violent history of slavery. Eco-Race Theory sees 124 as an