Advancing Universal Design through Inclusive Packaging and Visual

Authors

Suzani Azmin

Faculty of Art & Design, University Technology MARA Kedah, Kampus Sungai Petani, 08400 Merbok, Kedah (Malaysia)

Suhaiza Hanim Suroya

School of Design & Creative Arts, Loughborough University (UK)

Abdullah Kula Ismail

Faculty of Art & Design, University Technology MARA Kedah, Kampus Sungai Petani, 08400 Merbok, Kedah (Malaysia)

Article Information

DOI: 10.47772/IJRISS.2025.910000465

Subject Category: Arts and Humanities

Volume/Issue: 9/10 | Page No: 5682-5689

Publication Timeline

Submitted: 2025-10-15

Accepted: 2025-10-21

Published: 2025-11-16

Abstract

Visual accessibility in packaging design remains a pressing global challenge, with over 2.2 billion people living with some form of visual impairment and many facing exclusion from independent product use and consumer decision-making. In Malaysia, national surveys indicate high prevalence of visual impairment among older adults, highlighting the urgent need for inclusive design strategies that integrate tactile, visual, and digital cues. This study aims to advance understanding of how universal design can be applied through inclusive packaging and graphic design practices to enhance accessibility for visually impaired users. Guided by Universal Design Theory, the Social Model of Disability, and Multisensory Design Theory, this conceptual paper synthesizes recent literature on tactile packaging features, high contrast visual elements, and smart packaging technologies. The methodology involves a critical review of peer-reviewed studies, supported by a conceptual framework that illustrates the relationships between design strategies, user comprehension, usability, and social inclusion. Findings from the literature indicate that while tactile and digital features significantly improve accessibility, their integration in commercial practice remains limited due to cost, manufacturing constraints, and lack of policy enforcement. The paper contributes theoretically by positioning inclusive packaging within multiple design and disability frameworks, and practically by offering strategies for designers, industry, and policymakers. Implications suggest that inclusive packaging should be mainstreamed as a design responsibility rather than a niche adaptation, with future research directed toward empirical validation, cross-cultural analysis, and long-term industry adoption.

Keywords

Inclusive Packaging Design, Universal Design, Visual Accessibility

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