Indian Art and Religion: The Ultimate Philosophy Through the Ages
Authors
Apeejay College of Fine Arts, Jalandhar, Punjab, India. Affiliated to Guru Nanak Dev University, Amritsar, Punjab (India)
Article Information
DOI: 10.51244/IJRSI.2026.1305000227
Subject Category: Philosophy
Volume/Issue: 13/5 | Page No: 2530-2534
Publication Timeline
Submitted: 2026-05-18
Accepted: 2026-05-23
Published: 2026-06-10
Abstract
Just as cultivation is vital for existence of human beings, similarly art is an inherent part of human life. It is believed that in India, religion and art were born simultaneously because in early Indian art the primordial goal and subject matter was religion. It originated in a globe imbued with a deeply spiritual ambience whose infinite conglomeration of hues is core of Indian culture. Indian artists skillfully articulated the capital aim of Indian art, which were meditation and salvation. Every artisan was more like a saint who dedicated his art to society and religion. Indian art is essentially established on philosophical theories which consequently led to the creation of such an art which was a synthesis of aesthetic sense and internal discernment. This eventually led the common man to euphoria and helped him to perceive God.
Keywords
Indian Art, Religion, philosophy, Beauty, Meditation
Downloads
References
1. Ray, Niharranjan. (1974). An Approach to Indian Art, Chandigarh: Publication Bureau, Punjab University, P. 87, 103, 106. [Google Scholar] [Crossref]
2. Cooper, David. ed. (1992). The Principles of Art (USA: Glaxy Book-Oxford University Press,), P.163, 164, 165. [Google Scholar] [Crossref]
3. Chaman, Saroj. (2009). Soundriya Shastra Patiala: Publication Bureau, Punjabi University, P.223. [Google Scholar] [Crossref]
4. Shulk, Ram Chander. (1964). Kala Ka Darshan, Meerut: Karona Art Publishers, P.87, 88. [Google Scholar] [Crossref]
5. Shulk, Ram Chander. (1964). Kala Ka Darshan, Meerut: Karona Art Publishers, P.87, 88. [Google Scholar] [Crossref]
6. Chaman, Saroj. (2009). Soundriya Shastra Patiala: Publication Bureau, Punjabi University, P.223. [Google Scholar] [Crossref]
7. Collingwood, R.G. (1968). The Principles of Art, USA: Galaxy Book, Oxford University Press, P.300, 301. [Google Scholar] [Crossref]
8. Havell, E. B. The Symbolism of Indian Sculpture and painting, The Burlington [Google Scholar] [Crossref]
9. Magazine for Connoisseurs, Vol. 15, No. 78, Published by Burlington [Google Scholar] [Crossref]
10. Magazine Publication Ltd.: P.331. [Google Scholar] [Crossref]
11. Jhanji, Rekha. ed. ( 1984). Communications and the Art, Delhi: Ajanta Publication, P.11, 12. [Google Scholar] [Crossref]
12. Agarwal, Rimpy. (2021). Art and Religion: Concept of Early Indian Art through Ages, An International Journal of Creative Research Thoughts (IJCRT), Volume-9, Issue-III, Part-I. Pg. 5279. [Google Scholar] [Crossref]
13. Veereshwar, Prakash and Sharma, Nupur. (2001). Aesthetics-Philosophy of Art, Meerut: Krishna Prakashan Media (P) Ltd., P. 28. [Google Scholar] [Crossref]
14. Dasgupta, Surma. Saundrya Tatv, Laknow: Vishvidhyala, Darshan Bhivagh, P.47. [Google Scholar] [Crossref]
15. www.metmuseum.org/toah/dh/hind/dh_hind.htm (accessed April 30, 2016). [Google Scholar] [Crossref]
16. Sharma, H. L. (1995). Indian Aesthetics and Aesthetic Perspective, Kailashpuri: Meerut-2. Published by Mansi Prakashan, P.176. [Google Scholar] [Crossref]
17. Chaman, Saroj. (2009). Soundriya Shastra, Patiala: Publication Bureau, Punjabi University, P.149, 151. [Google Scholar] [Crossref]
18. Croce, Benedetto. (1920). Aesthetic: As Science of Expression and Linguistic, trans. Douglas Ainsli Calcutta: Published by D, Mehra, Rupa and Co. P. 96, 280. [Google Scholar] [Crossref]
19. Cooper David, ed. (1992) The Principles of Art, USA: Glaxy Book-Oxford University Press, P.70, 144, 184, 296. [Google Scholar] [Crossref]
20. Organ, Troy. (1975). “Indian Aesthetics: Its Techniques and Assumptions”, The Journal of Aesthetic Education, Vol. 9. No.1, Special Issue: Aesthetic Education in Civilization Perspective. Published by University of Illinois Press P.25. [Google Scholar] [Crossref]
21. Bussagli, Mario. (1954). Universal Value of Indian Aesthetics: Reflection of a Westerner, East and West, Vol.6, No. 4, Istituto Italiano per l’Africa e l’ Oriente (ISIAO) 300, 301,stable URL:/iproxy:inflibnet.ac.in:2584/stable/29753750 [Google Scholar] [Crossref]
Metrics
Views & Downloads
Similar Articles
- Aristotelian Ethics and Moral Development: A Critical Evaluation
- Decolonising Africa’s Higher Education against violence and social injustices.
- The African Child as a Technological Citizen
- Mathematics as Ontological–Cognitive Participation: Reconstructing Ethical and Metaphysical Foundations within a Humanized Mathematical Universe
- Reason–Emotion Integration in the Context of Artificial Intelligence: The Implications of Aristotle’s Conception of Happiness for Youth Moral Education