Voicing the Invisible: Representation of the Third Gender and Homosexual Identity in Mahesh Dattani’s Plays

Mahesh Dattani is one of the most prominent voices in contemporary Indian English drama whose plays challenge social prejudices and bring marginalised communities to the forefront of public discourse. This paper analyses Seven Steps Around the Fire and On a Muggy Night in Mumbai through the lens of queer theory, particularly drawing upon Judith Butler’s concept of gender performativity. Dattani portrays the struggles, discrimination, and emotional trauma experienced by transgender and homosexual individuals in a society governed by heteronormative values. In Seven Steps Around the Fire, the tragic story of Kamala and Anarkali exposes the violence and injustice faced by the transgender community, while On a Muggy Night in Mumbai depicts the psychological conflicts and social pressures experienced by homosexual individuals who are compelled to conceal their identities. Through these plays, Dattani transforms theatre into a powerful medium of social intervention and advocacy. Through his plays, Dattani gives voice to those who remain invisible within mainstream narratives, and contributes to the discourse on gender diversity and social justice in contemporary India.

Mahesh Dattani, queer theory, transgender identity

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