An Appraisal of the Place of Mystical Technology in Nsukka Igbo Masquerade Institution
Authors
Department of Fine and Industrial Arts, University of Nigeria, Nsukka, Enugu (Nigeria)
Department of Fine and Industrial Arts, University of Nigeria, Nsukka, Enugu (Nigeria)
Article Information
DOI: 10.47772/IJRISS.2026.100600159
Subject Category: Humanities
Volume/Issue: 10/6 | Page No: 2174-2189
Publication Timeline
Submitted: 2025-10-24
Accepted: 2025-10-29
Published: 2026-06-19
Abstract
In the pre-Christian Igbo, masquerades were a common conscience of the communities where they existed, and the most public of all arts. Their successful performances brought prestige and their failure a total disgrace to the groups or communities that own them. Several means that included procurement and use of medicines were devised to ensure their successes in performances. The common belief was that indigenous medicines were indispensable components in masquerading. It is an aspect of Igbo masking traditions that was barraged with condemnations. The study enquired into the secrets behind the thaumaturgic performative acts and displays of the masquerades. Information was collected via oral interviews and participant observation, and was narratively analysed. Medicines were integral to the display of different categories of masquerades; nevertheless, other rituals were performed to take care of the supernatural and spirit world that interfere in human activities; to avoid failure, boost its dignity, build fear and awe, and extend its strange myths.
Contribution: Mystical technology was a strong and valuable component of the Igbo masquerade institution that, if the Igbo society desires a meaningful and sustainable change for the future, must be creatively and systematically built upon. It has the potentials which, if well harnessed and aptly applied, will contribute meaningfully to the development of viable indigenous modern technologies.
Keywords
Mystical technology, Igbo masquerade institution, Thaumaturgy, Theatricality, Ritual theatre, Indigenous medicine
Downloads
References
1. Book: [Google Scholar] [Crossref]
2. American Bible Society. 1976. Good News Bible: Today’s English Version. New York: St Pauls. [Google Scholar] [Crossref]
3. Emeka, L. N. 1993. “The Metaphysical Technology.” Enugu State Mmanwu Festival. Enugu: The Government Press, 19 – 29. [Google Scholar] [Crossref]
4. Enekwe, O.O. 1987. “Igbo Masks: The Oneness of Ritual and Theatre.” Nigeria Magazine Publication. [Google Scholar] [Crossref]
5. Fallico, A.B. 1962. Art & Existentialism. Prentince-Hall, Inc. [Google Scholar] [Crossref]
6. Fosu, K. 1986. 20th Century Art of Africa. Zaria: Gaskiya Corporation [Google Scholar] [Crossref]
7. Horton, R. 1960. The Gods as Guests: an aspect of Kalabari religious life. Lagos: Federal Government Printer. [Google Scholar] [Crossref]
8. Onyeneke, A. O. 1987. The Dead among the Living: Masquerades in Igbo Society. Chuka Printing Co. Ltd. [Google Scholar] [Crossref]
9. Shelton, A.J. 1971. The Igbo-Igala Borderland: Religion & Social Control in Indigenous African Colonialism. State University of New York Press [Google Scholar] [Crossref]
10. Thomson, B. 1970. West African Secret Society: The Organizations, Officials and Teachings. Westport: Negro University Press. [Google Scholar] [Crossref]
11. Wingert, P.S. 1962. Primitive Art: Its Tradition and Styles. Oxford University Press. [Google Scholar] [Crossref]
13. Edited book: [Google Scholar] [Crossref]
14. Cole, H.M. and Aniakor, C.C. (eds.) (1984) Igbo Arts: Community and Cosmos. Berkeley, CA: University of California Press. [Google Scholar] [Crossref]
16. Chapter in an Edited Volume: [Google Scholar] [Crossref]
17. Aniakor, C. C. 1978c. “The Omabe Cult and Masking Tradition.” In GEK Ofomata (ed.). The Nsukka Environment. Enugu: Fourth Dimension Publishers, pp. 286 - 306. [Google Scholar] [Crossref]
19. Journal Article: [Google Scholar] [Crossref]
20. Achukwu, P. U., S.A. Ufelle, K.C. Onyekwelu, M.N. Amadi, N.O. Achukwu, & F.N. Amadi. 2018. “Effects of Stem-Bark Extract of Oko ubaka aubrevillie on some Visceral Organs of Wistar Rats.” African Journal of Traditional Alternative Medicine, 15(3), 57 – 63. [Google Scholar] [Crossref]
21. Aniakor, C. C., 1978a. “The Igbo Ijele Mask.” African Arts. XI (4), 42-47. [Google Scholar] [Crossref]
22. Aniakor, C. C. 1978b. “The omabe festival.” Nigeria Magazine, (126-127), 3–12. [Google Scholar] [Crossref]
23. Aniakor, C. C. 1988. “Igbo plastic and decorative arts.” Nsukka Journal of the Humanities, 3(4), 1–35. [Google Scholar] [Crossref]
24. Bentor, E. 2008. “Masquerade politics in contemporary southeastern Nigeria.” African Arts, 41(4), 32–43. https://doi.org/10.1162/afar.2008.41.4.32 [Google Scholar] [Crossref]
25. Emeka, L. N. 1985. “Eri: The Founder of the Igbo Nation.” Ikoro: Bulletin of the Hansberry Institute of African Studies, University of Nigeria Nsukka, Vol. VI, No. 2, pp. 11 – 16. [Google Scholar] [Crossref]
26. Gore, C. 2008. “Burn the Mmonwu: Contradictions and contestations in masquerade performance in Uga, Anambra State in southeastern Nigeria.” African Arts, 41(4), 60–73. https://doi.org/10.1162/afar.2008.41.4.60 [Google Scholar] [Crossref]
27. Nwosu, P.U. 2010. “The Age of Cultural Hybridization: A Case Study of Okonko Society vis –a-vis Christianity in Igboland.” Anthropologist, vol. 12, no. 3, pp. 161 – 165. [Google Scholar] [Crossref]
28. Okafor, C. G. 1991. “Behind the Inscrutable Wonder: The Dramaturgy of the Mask Performance in Traditional African Society.” Research in African Literatures, 22, (4), 39-52. [Google Scholar] [Crossref]
29. Ray, K., & Shaw, R. 1987. “The structure of spirit embodiment in Nsukka Igbo Masquerading traditions.” Anthropos, 82(4/6), 655–660. http://www.jstor.org/stable/4046349 [Google Scholar] [Crossref]
30. Reed, B. 1998. “Playing with prohibitions: Women, agency and masquerade.” African Arts, 31(2), 23–71. https://doi.org/10.2307/3337522 [Google Scholar] [Crossref]
32. Online Journal Article: [Google Scholar] [Crossref]
33. Asogwa, O. 2022. “Social Dynamics and Resilience in the Northern Igbo Masking Traditions.” Cultural Arts Research and Development, 2, (2), 39-49. https://doi.org/10.55121/card.v2i2.36 [Google Scholar] [Crossref]
34. Asogwa, O. & George Odoh 2021. “Reappraising the iconography and ethno-aesthetics of Adada masquerade of the Nsukka Igbo, southeast Nigeria.” Cogent Arts & Humanities, 8:1, 1909221, DOI: 10.1080/23311983.2021.1909221 [Google Scholar] [Crossref]
36. Radio Broadcast: [Google Scholar] [Crossref]
37. Emeka, L. N. 1974. The Soul of a Village Folk. Lagos: Voice of Nigeria, A Radio Broadcast. [Google Scholar] [Crossref]
39. Dissertation: [Google Scholar] [Crossref]
40. Okafor, C. G. 1989. Drama and Society in a Traditional African Setting: An Analysis of the Ikeji Festival Theatre of Arochukwu and Its Diasporas. [Doctoral dissertation, University of Nigeria, Nsukka]. [Google Scholar] [Crossref]
41. Onwuzolum, E. C. 1977. The Ritual-theatricality of Igbo Masks and Masquerades. [Master’s thesis, University of British Columbia]. [Google Scholar] [Crossref]
Metrics
Views & Downloads
Similar Articles
- A Psychoanalytical Study of the Gift of Magi
- Analyzing Community Initiatives and Government Interventions in Salt Farming Resource Management in Pangkajene and Kepulauan Districts
- Diaconal Ministries and the Ordination of Women
- Socio Economic Changes in Sagar Island before and After Cyclone Aila
- Grief and Its Transformations in Joan Didion’s the Year of Magical Thinking