Embodied Devotion and Cultural Negotiation: Manipuri Nritya between Ritual and Stage (Bangladesh)
Authors
Dance Practitioner, Founder & Director, Dikhsha Institute of Dance and PhD Researche Scholar, Jahangirnagar University (Bangladesh)
Article Information
DOI: 10.47772/IJRISS.2026.1014MG0165
Subject Category: Social science
Volume/Issue: 10/14 | Page No: 2187-2196
Publication Timeline
Submitted: 2026-07-26
Accepted: 2026-07-31
Published: 2026-08-11
Abstract
Manipuri Nritya is a classical dance tradition deeply rooted in devotional spirituality, ritual practice, and the cultural life of the Manipuri community. Historically, the tradition has evolved through the coexistence of pre-Vaishnavite indigenous ritual practices, such as Lai Haraoba, and later Vaishnavite devotional expressions, particularly Raslila and other Krishna-centred religious performances. These interconnected traditions have shaped Manipuri dance as an embodied medium through which spiritual beliefs, collective memory, cultural narratives, and community identity are transmitted. In contemporary Bangladesh, Manipuri Nritya exists within both sacred ritual spaces and modern theatrical contexts, creating new possibilities for cultural engagement, adaptation, and reinterpretation.
Keywords
Manipuri Nritya; Ritual Practice; Embodied Devotion; Cultural Negotiation; Bangladesh
Downloads
References
1. Ahmed, S. J. (2006). Negotiating 'Theatre(In Place/Instead) of War'. Research in Drama Education: The Journal of Applied Theatre and Performance, 59-75. [Google Scholar] [Crossref]
2. Bandhopadhay, D. S. (2023). Choreographing the pancarasa-s in Manipuri Dance:Concept,Tradition and Presentation. In P. Chatterejee, Nanchom : Exploring Harmony Through Manipuri Dance Writings (p. 32). Gurugram: Shubhi Publications. [Google Scholar] [Crossref]
3. Bandhyapadhai, S. (2026, January). From Ritual to Stage. (P. r. Das, Interviewer) [Google Scholar] [Crossref]
4. Bell, C. (1997). Ritual : Perspective and Dimensions. New York: Oxford University Press,Inc. [Google Scholar] [Crossref]
5. Bell, C. (1997). Ritual: Perspectives and Dimensions. New York: Oxford University Press. [Google Scholar] [Crossref]
6. Bhaba, H. K. (1994). The Location Of Culture. London: Routledge. [Google Scholar] [Crossref]
7. Chakravorty, P. (2022). The body and the Cotagion: a symbiosis of Yoga,dance health and spirituality. South Asian History and Culture, 8. [Google Scholar] [Crossref]
8. Darshana Jhaveri, K. D. (1993). Shastriya Manipuri Nartan. Bombay,kolkata,Imphal: Manipuri Nartyanaloi. [Google Scholar] [Crossref]
9. Geertz, C. (1973). The Interpretation of Cultures. New York: Bsic Books,Inc,Publishers. [Google Scholar] [Crossref]
10. Geertz, C. (1973). The Interpretation of Cultures. New York: Basic Books. [Google Scholar] [Crossref]
11. Hall, S. (1990). Cultural Identity and Diaspora. London: Lawrence & Wishart. [Google Scholar] [Crossref]
12. Hall, S. (1990). Cultural Identity and Diaspora. In S. Hall, Identity : Community, Culture, Difference (pp. 222-237). London,England: Lawrence & Wishart. [Google Scholar] [Crossref]
13. Jhaveri, P. D. (2026, january). Manipuri Dance. (P. R. Das, Interviewer) [Google Scholar] [Crossref]
14. Kamei, G. (2015). History of Manipur : Pre- Colonial Period. New Delhi: Akansha Publishing House. [Google Scholar] [Crossref]
15. L.Grimes, R. (2004). Performance Theory and the Study of Ritual. New York: Walter de Gruyter. [Google Scholar] [Crossref]
16. Munsi, U. S. (2022). Becoming a Body. South Asian History and Culture, 1. [Google Scholar] [Crossref]
17. Sinha, D. R. (2014). Bangladesher Monipuri: Somaj O Songskriti. Shahbag Dhaka, Dhaka, Bangladesh: Mustafa Salim Utso Prokashan. [Google Scholar] [Crossref]
18. Sinha, S. (2014). Dhrumel project. (Author, Interviewer) [Google Scholar] [Crossref]
19. Turner, V. (1966). The Ritual Process: Structre and Anti- Structre. New York: Cornell University Press. [Google Scholar] [Crossref]
20. Turner, V. (1969). The Ritual Process : Structuer and Anti-Structure. Chicago: Aldine Publishing Company. [Google Scholar] [Crossref]
21. Turner, V. (1969). The Ritual Process: Structure and Anti- Structure. Chicago: Aldine Publishing Company. [Google Scholar] [Crossref]
22. Turner, V. (1980). Social Drama and Stories about Them. The University Of Chicago Press Journals, 142. [Google Scholar] [Crossref]
23. Vatsyayan, K. (1997). The Square and the Circle of the Indian Arts. Delhi: Abhinav Publications. [Google Scholar] [Crossref]
24. Wilson, M. (1954). "Nyakyusa Ritual and Symbolism". American Anthropologist, 241. [Google Scholar] [Crossref]
Metrics
Views & Downloads
Similar Articles
- The Impact of Ownership Structure on Dividend Payout Policy of Listed Plantation Companies in Sri Lanka
- Urban Sustainability in North-East India: A Study through the lens of NER-SDG index
- Performance Assessment of Predictive Forecasting Techniques for Enhancing Hospital Supply Chain Efficiency in Healthcare Logistics
- The Fractured Self in Julian Barnes' Postmodern Fiction: Identity Crisis and Deflation in Metroland and the Sense of an Ending
- Impact of Flood on the Employment, Labour Productivity and Migration of Agricultural Labour in North Bihar