Typology and Thematic Analysis of Public Sculptures in Abeokuta Metropolis, Ogun State, Nigeria
Authors
Department of Creative Arts, College of Humanities, Tai Solarin University of Education, Ijagun, Ogun State (Ilaro Ogun State Nigeria)
Department of Creative Arts, College of Humanities, Tai Solarin University of Education, Ijagun, Ogun State (Ilaro Ogun State Nigeria)
Article Information
DOI: 10.47772/IJRISS.2026.100801083
Subject Category: Fine Art
Volume/Issue: 10/8 | Page No: 15784-15798
Publication Timeline
Submitted: 2026-09-10
Accepted: 2026-09-14
Published: 2026-09-25
Abstract
Abstract
Public sculptures constitute important visual and cultural assets that enrich urban landscapes through their commemorative, historical, aesthetic, educational and socio-political functions. In Abeokuta, Ogun State, these sculptures are strategically located in public spaces, roundabouts, parks, institutional premises, cemeteries and civic centres, where they contribute to the preservation of cultural heritage and the formation of urban identity. Despite their visibility and significance, there is limited scholarly documentation of their typological classifications, thematic orientations and stylistic characteristics. This study therefore examined the typology, thematic content and stylistic characteristics of public sculptures in Abeokuta with a view to documenting their forms, materials, functions and symbolic significance. The study adopted a qualitative research design, employing field observation, photographic documentation and descriptive visual analysis of twenty-two purposively selected public sculptures across the metropolis. Findings revealed that the sculptures are typologically classified into historical, commemorative, cultural, religious, decorative, social and funerary (cemetery) categories. Stylistically, realism and stylised realism predominate, while reinforced concrete, concrete and fibre glass are the principal media employed. Thematically, the sculptures communicate historical memory, heroism, cultural identity, indigenous beliefs, social cohesion, women's contributions and environmental aesthetics. The study concludes that public sculptures in Abeokuta function as enduring repositories of cultural memory, historical documentation and urban identity, while contributing significantly to the aesthetic character of the city. It recommends the formulation of sustainable policies for the documentation, conservation, maintenance and integration of public sculptures into urban planning and cultural heritage management programmes.
Keywords: Public Sculpture, Typology, Thematic Analysis, Stylistic Analysis, Public Art, Cultural Heritage, Abeokuta.
Keywords
Public Sculpture, Typology, Thematic Analysis, Stylistic Analysis, Public Art, Cultural Heritage, Abeokuta.
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