Seeing Beyond the Narrative: A Visual Analysis of Transgender Representation in Joyland

This study examines the visual representation of transgender identities in Joyland (2022), a landmark Pakistani film that has received both international recognition and domestic controversy. While existing research on South Asian transgender representation has focused mainly on narrative and dialogue, this work highlights the visual dimension, analyzing how cinematography, lighting, costume, body language, Camera movements and color palette shape meaning. Guided by Multi-modality theory the study conducts a visual analysis of key scenes in performance spaces, domestic settings, and moments of interaction between transgender and cisgender characters. The findings reveal a striking duality: performance spaces are framed with vibrant lighting, flamboyant costumes, and dynamic camera work that celebrate visibility, whereas domestic spaces rely on muted colors, static shots, and restrained gestures that convey repression and marginalization. At the same time, the film resists the common stereotypes of transgender characters in South Asian cinema as comic relief, villains, or mystical figures by presenting Biba (transgender) as complex, central, and humanized. These contrasts visually encode the precarious position of transgender identity in contemporary Pakistani society, hyper visible in performance yet constrained in everyday life. The study contributes to film and gender studies by situating visual analysis within South Asian cultural contexts, showing cinema’s potential to challenge reductive stereotypes, critique social exclusion, and reimagine recognition and belonging.

Transgender representation; Pakistani cinema

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