African Poetry and The Immediacy of the Humanizing Message: Niyi Osundare’s Songs of the Season

This study examines the humanizing imperative in African poetry with specific reference to Niyi Osundare’s Songs of the Season. The paper argues that African poetry is distinguished by a sense of immediacy in its articulation of authentic socio-political independence, leadership accountability, and the rejection of corruption and nepotism. In Songs of the Season, Osundare foregrounds the plight of the poor, whom he represents as defenseless in the face of an oppressive elite that renders them as a worthless species of humanity. The collection functions as a voice for the weak; a moral guide for a leadership blinded by greed; a bulwark for indigenous culture against Western erosion, and a veritable avenue for national cohesion. Drawing on Yoruba oral aesthetics, particularly “oriki” (praise poetry) and” efe / ajagbo” (song of abuse), the study demonstrates how Osundare deploys satire as a humanizing tool to re-affirm the dignity of the marginalized.

African poetry, Niyi Osundare, humanization, Yoruba oral tradition, satire, post-colonialism

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