From Wax to Clay: Localized Adaptation and Community Empowerment through Batik Resis Tanah Liat (Clay Resist Batik). in Kampung Hilir, Merbok, Yan, Kedah

Authors

Normaziana binti Hassan

Faculty of Art & Design, Universiti Teknologi MARA (Kedah branch), Sungai Petani Campus, 08400, Merbol, Kedah (Malaysia)

Shuhaila Md Shahid

Faculty of Art & Design, Universiti Teknologi MARA (Kedah branch), Sungai Petani Campus, 08400, Merbol, Kedah (Malaysia)

Zaidi Yusof

Faculty of Art & Design, Universiti Teknologi MARA (Kedah branch), Sungai Petani Campus, 08400, Merbol, Kedah (Malaysia)

Article Information

DOI: 10.47772/IJRISS.2026.1014MG0016

Subject Category: Communication

Volume/Issue: 10/14 | Page No: 194-203

Publication Timeline

Submitted: 2026-01-04

Accepted: 2026-01-09

Published: 2026-01-24

Abstract

The Malaysian batik industry has long depended on wax resist techniques, yet environmental, health, and technical challenges have encouraged the search for safer alternatives. A major breakthrough came in 2020 with the introduction of batik tanah liat (clay resist batik) by Kraftangan Malaysia, providing an eco-friendly and cost-effective substitute for wax. Between 2020 and 2025, Clay Resist Batik advanced from experimentation to wider adoption through training programs, entrepreneurship, and retail development. This study explores the localized adaptation of clay resist techniques through the Batik Merbok initiative in Kampung Hilir, Merbok, Yan, Kedah. Villagers collaborated in a community-based effort to develop motifs such as mangroves, paddy stalks, zebra doves, Sanskrit inscriptions, and architectural forms, enriching the artistic repertoire of batik while reinforcing Merbok’s cultural identity. The initiative highlights community-based collaboration, with villagers contributing to motif development, workshops, and knowledge exchange. This collaborative model supports intergenerational skill transmission, strengthens artisan agency, and ensures that creative outcomes remain locally grounded. Using qualitative and practice-based methods, this study analyses technical processes, material constraints, and design outcomes. Despite challenges related to dye adhesion and colourfastness, Clay Resist Batik incorporating localized motifs demonstrates strong potential as a heritage-rooted innovation capable of sustaining cultural continuity and creative livelihoods.

Keywords

Batik Resis Tanah Liat (Clay Resist Batik), Batik Merbok, Kampung Hilir

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References

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