Exploring Community Catharsis and Embodied Healing in Burmese Nat Pwe: Culturally Sensitive Pathways for Modern Dramatherapy Practice

This paper explores the Burmese Nat Pwe—a ritual festival of spirit embodiment and communal catharsis—as a culturally grounded framework for understanding healing within dramatherapy. Drawing on autoethnographic data from fifteen Burmese drama therapy trainees at the Academy of Care (Goethe-Institut, Myanmar), the study examines how ritual performance enacts therapeutic processes of embodiment, projection, role transformation, and collective witnessing. Through thematic analysis informed by dramatherapy theory and cultural sensitivity frameworks, Nat Pwe is reframed as an indigenous theatrical healing ceremony—a living, relational system of psychotherapy that integrates spiritual, emotional, and social repair.
The findings reveal that trance, rhythm, and collective participation operate as embodied technologies of regulation and release, aligning with trauma-informed and decolonial principles of healing. Integrating recent evidence from trauma-informed dramatherapy training in Myanmar, the paper argues that culturally responsive dramatherapy must move beyond adaptation toward dialogical reciprocity with local ritual traditions. Nat Pwe demonstrates that healing arises through aesthetic, spiritual, and communal resonance, challenging Western individualist models of therapy.
This study contributes to global dramatherapy by articulating a framework of cultural humility, intercultural empathy, and embodied spirituality, positioning Nat Pwe as both mirror and mentor for decolonizing therapeutic practice.

Nat Pwe, dramatherapy, cultural sensitivity, embodiment, trauma-informed practice, decolonial psychology, Myanmar

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