Influences of The Folk Costume of The Republic of Moldova in Contemporary Fashion
Authors
PhD Candidate in Fashion Design, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova (Moldova)
Article Information
DOI: 10.47772/IJRISS.2026.100700193
Subject Category: Education
Volume/Issue: 10/7 | Page No: 2810-2822
Publication Timeline
Submitted: 2026-07-09
Accepted: 2026-07-14
Published: 2026-07-28
Abstract
The folk costume of the Republic of Moldova constitutes an important component of the country's cultural heritage and continues to play a significant role in contemporary fashion design through the creative reinterpretation of its structural, ornamental, and symbolic characteristics. This study examines the influence of Moldovan folk costume on contemporary fashion and explores its contribution to cultural preservation, creative innovation, and the international development of Moldovan fashion. A qualitative research methodology was employed, combining documentary research, comparative analysis, iconographic analysis, and multiple case studies involving Moldovan and international fashion designers. The findings demonstrate that contemporary reinterpretations extend beyond the literal reproduction of traditional garments, transforming traditional construction principles, embroidery techniques, ornamental systems, natural materials, and symbolic meanings into new aesthetic languages adapted to current social, cultural, and technological contexts. The study further identifies different strategies of heritage reinterpretation, ranging from conservative approaches closely connected to traditional forms to experimental intercultural interpretations. While the influence of Moldovan fashion remains strongest within Eastern Europe, the richness of its cultural heritage provides substantial potential for broader international recognition. The study concludes that the creative reinterpretation of folk costume represents an important mechanism for preserving cultural identity while simultaneously fostering innovation, strengthening the international visibility of Moldovan fashion, and contributing to contemporary discussions on fashion, heritage, and cultural sustainability.
Keywords
folk costume; Republic of Moldova; contemporary fashion; cultural heritage; fashion design; cultural identity.
Downloads
References
1. BÎZGU, C. Patrimoniul vestimentar al Republicii Moldova și valorificarea lui în designul vestimentar contemporan. Ph.D. Thesis. Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova, 2025. [Google Scholar] [Crossref]
2. BUZILĂ, V. Costumul popular din Republica Moldova. Ghid practic. Chișinău: Editura Reclama, 2011. ISBN 978-9975-10-560-6. [Google Scholar] [Crossref]
3. DELIU, A. M. Dincolo de Poveste: The Identity of the Romanian and Moldovan Folk Costume. Bachelor's Thesis. National College of Art and Design, Dublin. Online. 2023. Available at: https://thesis.ncad.ie/T6386_Dincolo%20de%20Poveste_The%20Identity%20of%20the%20Romanian%20and%20Moldovan%20Folk%20Costume_Deliu_Anna%20AD228%2022-23.pdf [Accessed June 25, 2026]. [Google Scholar] [Crossref]
4. ANDRIEȘ, D. Valoarea și funcțiile costumului popular moldovenesc. In: Conferința Tehnico-Științifică a Colaboratorilor, Doctoranzilor și Studenților. Chișinău: Universitatea Tehnică a Moldovei. Online. 2013, pp. 62–63. Available at: https://ibn.idsi.md/en/vizualizare_articol/184145 [Accessed July 12, 2026]. [Google Scholar] [Crossref]
5. ERMILOVA, D. Y. Costume as a Form of Visualization of Ethnicity: From Tradition to Modernity. Rupkatha Journal on Interdisciplinary Studies in Humanities. Online. 2020, 12(6), pp. 1–14. Available at: https://www.researchgate.net/publication/349541071_Costume_as_a_Form_of_Visualization_of_Ethnicity_From_Tradition_to_Modernity [Accessed July 6, 2026]. [Google Scholar] [Crossref]
6. KAYA, Ö.; ROMANESCU, C. An Analogical Approach to Colors and Symbolism in Romanian and Turkish Folk Art. Art-Sanat. Online. 2021, 15, pp. 161–181. DOI: https://doi.org/10.26650/artsanat.2021.15.0007 Available at: https://www.researchgate.net/publication/352530772_An_Analogical_Approach_to_Colors_and_Symbolism_in_Romanian_and_Turkish_Folk_Art [Accessed July 16, 2026]. [Google Scholar] [Crossref]
7. KAYA, Ö.; ROMANESCU, C. Romanian Folk Symbols in Contemporary Fashion Design. New Design Ideas. Online. 2021, 5(2), pp. 135–149. Available at: https://www.researchgate.net/publication/358190557_ROMANIAN_FOLK_SYMBOLS_IN_CONTEMPORARY_FASHION_DESIGN [Accessed July 16, 2026]. [Google Scholar] [Crossref]
8. KAYA, Ö.; ROMANESCU, C. Representation of Ethnic Diversity in the Collections of Fashion Brands (2005–2020). Învățământ, Cercetare, Creație. Online. 2022, 8(1), pp. 191–199. Available at: https://www.researchgate.net/publication/368779694_Representation_of_Ethnic_Diversity_in_the_Collections_of_Fashion_Brands_-2005-2020 [Accessed July 16, 2026]. [Google Scholar] [Crossref]
9. MOCENCO, A.; OLARU, S.; POPESCU, G.; GHITULEASA, C. Romanian Folklore Motifs in Fashion Design. Annals of the University of Oradea. Fascicle of Textiles, Leatherwork. Online. 2013, 14(1), pp. 63–68. Available at: https://textile.webhost.uoradea.ro/Annals/Vol%20XVno%20I/Art.%20nr.%2012%2C%20pag%2063-68.pdf [Accessed June 30, 2026]. [Google Scholar] [Crossref]
10. NAIR, M. Fashion as Cultural Expression: Exploring the Intersection of Identity, Society, and Style. Shodh Sagar Journal of Language, Art, Culture and Film. Online. 2024, 1(1), pp. 31–35. DOI: https://doi.org/10.36676/jlacf.v1.i1.6 Available at: https://jlacf.shodhsagar.org/index.php/j/article/view/6/6 [Accessed June 22, 2026]. [Google Scholar] [Crossref]
11. RAILEANU, I. Etno Moldova. Chișinău: Editura Cartea, 2011. ISBN 978-9975-977-22-7. [Google Scholar] [Crossref]
12. STĂNESCU-BĂTRÎNESCU, E. Broderia românească aplicată. București: Editura Tehnică, 1978. [Google Scholar] [Crossref]
13. SYMAK, A.; BABINA, Y. Fashion Trends in Moldova – Through the Prism of the Creativity of Young Designers. Art and Design. Online. 2018, 3, pp. 20–29. DOI: https://doi.org/10.30857/2617-0272.2018.3.2 Available at: https://artdesign.knutd.edu.ua/index.php/artdesign/article/view/99 [Accessed July 10, 2026]. [Google Scholar] [Crossref]
14. ZAHARIEVA-STOYANOVA, E.; BOZOV, S. Digital Modeling and Visualization of Embroidery Techniques. In: Digital Presentation and Preservation of Cultural and Scientific Heritage. Vol. 15. Sofia: Institute of Mathematics and Informatics – Bulgarian Academy of Sciences, 2025, pp. 227–236. Available at: https://www.researchgate.net/publication/395332909_Digital_Modeling_and_Visualization_of_EmbroideryTechniques [Accessed July 16, 2026]. [Google Scholar] [Crossref]
Metrics
Views & Downloads
Similar Articles
- Assessment of the Role of Artificial Intelligence in Repositioning TVET for Economic Development in Nigeria
- Teachers’ Use of Assure Model Instructional Design on Learners’ Problem Solving Efficacy in Secondary Schools in Bungoma County, Kenya
- “E-Booksan Ang Kaalaman”: Development, Validation, and Utilization of Electronic Book in Academic Performance of Grade 9 Students in Social Studies
- Analyzing EFL University Students’ Academic Speaking Skills Through Self-Recorded Video Presentation
- Major Findings of The Study on Total Quality Management in Teachers’ Education Institutions (TEIs) In Assam – An Evaluative Study