Cultural and Creative Design Applications of Yuan Blue-and-White Porcelain: A Case Study of the Gao’an Museum
Authors
Academy of Arts and Creative Technology, Universiti Malaysia Sabah, Sabah, Malaysia (Malaysia)
Academy of Arts and Creative Technology, Universiti Malaysia Sabah, Sabah, Malaysia (Malaysia)
College of Modern Economics and Management Jiangxi University of Finance and Economics, Jiangxi, China (China)
Academy of Arts and Creative Technology, Universiti Malaysia Sabah, Sabah, Malaysia (Malaysia)
Article Information
DOI: 10.47772/IJRISS.2026.100500435
Subject Category: Cultural
Volume/Issue: 10/5 | Page No: 6487-6497
Publication Timeline
Submitted: 2026-05-09
Accepted: 2026-05-14
Published: 2026-06-03
Abstract
This study takes the Yuan blue-and-white porcelain collection of the Gao’an Yuan Blue-and-White Porcelain Museum as its research object. As an artistic treasure of the Yuan Dynasty, these ceramics are renowned for the distinctive coloration of Sumaliqing cobalt, intricate and well-structured decorative patterns, and the expressive elegance of their classic forms. However, they currently face challenges in cultural transmission, including lagging cultural and creative product development, limited forms of expression, and insufficient appeal to younger audiences. Through a systematic analysis of the cultural elements of Gao’an Yuan blue-and-white porcelain, this study identifies three core design dimensions. Based on these traditional elements, this study develops a series of contemporary ceramic blind box IP products. By analyzing current trends in the blind box market and the development of museum cultural and creative products, representative motifs from Gao’an Yuan blue-and-white porcelain are incorporated into the IP concept. These traditional motifs are innovatively embedded into blind box design, balancing cultural authenticity with the aesthetic preferences and collecting habits of younger consumers, thereby revitalizing Yuan blue-and-white culture in a contemporary context. This design practice not only provides new insights into the modern transformation of cultural heritage but also explores feasible pathways for developing cultural and creative products rooted in tradition. By integrating traditional ceramic craftsmanship with modern blind box design, the study both preserves the cultural essence of Gao’an Yuan blue-and-white porcelain and opens new avenues for its sustainable development, offering a valuable practical reference for the contemporary museum cultural and creative industry.
Keywords
Gao’an Yuan blue-and-white porcelain; ceramic blind boxes; IP image; cultural and creative design culture, integrative innovation
Downloads
References
1. Bonifazi, G., Gasbarrone, R., Palmieri, R., & Serranti, S. (2024). A characterization approach for end-of-life textile recovery based on short-wave infrared spectroscopy. Waste and Biomass Valorization, 15(3), 1725-1738. [Google Scholar] [Crossref]
2. Chunlan, Y., Tengku Wook, T. S. M., & Rosdi, F. (2025). Advancing cultural heritage: a decadal review of digital transformation in Chinese museums. NPJ Heritage Science, 13(1), 189-199. [Google Scholar] [Crossref]
3. Deng, X. (2022). Emotional design in blind box for reference and development of cultural and creative products. Highlights Art Des, (8)1, 6-10. [Google Scholar] [Crossref]
4. Jian, L., Enda, T., & Yuxuan, C. (2025). Cultural Heritage and Craftsmanship: An In-Depth Analysis of Traditional Thai Ceramics. Cultura: International Journal of Philosophy of Culture and Axiology, 22(1), 43-56. [Google Scholar] [Crossref]
5. Li, Q., Zhang, M., Wang, L., Yu, Y., Xiong, L., Zhou, J., & Yuan, F. (2022). Analyzing the formation mechanism of ‘Huoshihong’characteristics in the blue-and-white porcelain of the Yuan Dynasty from Jingdezhen. Journal of the European Ceramic Society, 42(15), 7360-7368. [Google Scholar] [Crossref]
6. Pattakos, A., Zidianakis, E., Sifakis, M., Roulios, M., Partarakis, N., & Stephanidis, C. (2023). Digital interaction with physical museum artifacts. Technologies, 11(3), 65-76. [Google Scholar] [Crossref]
7. Pu, Z. (2025). The Premium Effect Driven by Investor Sentiment and Psychology—A Case Study of Labubu Blind Boxes. Finance & Economics, 1(6):88-98. [Google Scholar] [Crossref]
8. Showkat, M., Nagina, R., & Nori, U. (2025). Crafting Heritage: The Journey of Women Pottery Workers in Multi-Cultural Entrepreneurship. In Multi-Cultural Artisanal Entrepreneurship (pp. 62-82). Routledge. [Google Scholar] [Crossref]
9. Wei, Z., & Yu, B. (2025). Why do you engage in blind box consumption? Exploring the group interactions and psychological motivations in blind box consumption. Current Psychology, 44(18), 15168-15182. [Google Scholar] [Crossref]
10. Wen, R., Wang, C., Mao, Z., Huang, Y., & Pollard, A. (2007). The chemical composition of blue pigment on Chinese blue‐and‐white porcelain of the Yuan and Ming dynasties (AD 1271–1644). Archaeometry, 49(1), 101-115. [Google Scholar] [Crossref]
11. Xu, J. (2025). Unmasking Masks An Analysis of Psychological Physical and Virtual Masks as applied to Intellectual Property (IP) Character Design in Branding and Marketing Strategies University of Wales Trinity Saint David] [Google Scholar] [Crossref]
12. Xu, J., Shan, C., & Lv, Y. (2025). Reconstruction of Visual Appeal and Renewal of Dynamic Environments: Computational Methods and Innovative Strategies in the Future-oriented Digital Transformation of Heritage Museums. Journal of Combinatorial Mathematics and Combinatorial Computing, 127, 6429-6447. [Google Scholar] [Crossref]
13. Yan, C. (2024). Blue-and-White Porcelain of the Yuan Dynasty. In A Brief History of Chinese Imperial Porcelain: From Song Dynasty to Qing Dynasty (pp. 71-97). Springer. [Google Scholar] [Crossref]
14. Yang, H., & Guo, L. (2024). Evolution of exhibition space strategies in smart museums: A historical transition from traditional to digital. Herança, 7(1), 1-11. [Google Scholar] [Crossref]
15. Ye, X., Chen, Y., Peng, L., Yang, X., & Bai, Y. (2025). Application of spectroscopy technique in cultural heritage: systematic review and bibliometric analysis. NPJ Heritage Science, 13(1), 169. [Google Scholar] [Crossref]
16. Zhan, H. (2024). Research on the impact of blind box on consumers and marketing strategies. SHS Web of Conferences. [Google Scholar] [Crossref]