Teaching in Indigenous African Society: The Indigenous Method Dimension

Authors

Ayeyemi Ebenezer Oluwatoyin

Department of Music, Adeyemi Federal University of Education, P.M.B. 520, Ondo. (Nigeria)

Olupayimo Dolapo Z.

Department of History and Diplomatic Studies, Adeyemi Federal University of Education, P.M.B. 520, Ondo (Nigeria)

Article Information

DOI: 10.47772/IJRISS.2026.10100592

Subject Category: Education

Volume/Issue: 10/1 | Page No: 7623-7633

Publication Timeline

Submitted: 2025-12-29

Accepted: 2026-01-10

Published: 2026-02-19

Abstract

Indigenous African communities have a very rich heritage of educational practices that have been passed down through generations. The present study examines teaching methodologies in traditional African communities, with particular emphasis on the role of music and indigenous educational practices as vehicles for knowledge transmission, moral formation, and cultural continuity. Drawing specifically from the Yoruba traditional educational systems, the study highlights how teaching extends beyond formal school settings into homes, peer groups, rituals, and communal activities. Central to this discourse is music, which functions as an oral tradition, prompting device, pedagogical tool, and medium for cultural preservation, socialization, and community interrelationship. Through songs, chants, storytelling, and performance, values, history, skills, and social norms are transmitted trans-generationally. The article further explores avenues of teaching such as oral tradition, apprenticeship, observation, and participation in daily and ceremonial activities, demonstrating how education in traditional African societies is holistic, experiential, and community-centred. While analyzing these methods, the paper underscores their relevance to contemporary education and argues that traditional African pedagogies offer valuable insights into inclusive, culturally grounded, and morally oriented approaches to teaching and learning.

Keywords

Traditional African education; Music as pedagogy

Downloads

References

1. Adewoyin, S. O. (2007). Traditional education in Yoruba society. The Nigerian Journal of Sociology and Anthropology, 5(2), 71-77. [Google Scholar] [Crossref]

2. Adegbite, W. (2011). Indigenous education in Yorubaland: Past and present. Journal of sustainable development in Africa, 13(1), 52-66. [Google Scholar] [Crossref]

3. Agawu, K. (2003). Representing African music: Postcolonial notes, queries, positions. Routledge. [Google Scholar] [Crossref]

4. Agu, Dan C.C. 2011. The impact of electronic technology on indigenous and pop music: The Nigerian experience. Journal of the Association of Nigerian Musicologists. 5, 16-22 [Google Scholar] [Crossref]

5. Ayeyemi E.O. (2017). Tradition and innovation in Kpakpa-Jiala burial rites music of the Benin migrant community in Itaogbolu, Ondo State, Nigeria. A thesis in the African Music Unit, submitted to the Institute of African Studies. University of Ibadan. [Google Scholar] [Crossref]

6. Awoniyi, F. (1979). Traditional African modes of education: A Historical survey. Studies in African Social Anthropology, 4, 1-12. [Google Scholar] [Crossref]

7. Arom, S. (1991). African polyphony and polyrhythm: musical structure and methodology. Cambridge University Press. [Google Scholar] [Crossref]

8. Diawara, M. (1990). In search of Africa. Harvard University Press. [Google Scholar] [Crossref]

9. Kubik, G. (1999). Africa and the blues. University Press of Mississippi. [Google Scholar] [Crossref]

10. Nketia, J. H. K. (1974). The music of Africa. W. W. Norton & Company. [Google Scholar] [Crossref]

11. Nzewi, M. (2007). The music of African children: A conceptual framework. African minds [Google Scholar] [Crossref]

12. Turino, T. (2008). Music as social life: The politics of participation. University of Chicago Press [Google Scholar] [Crossref]

Metrics

Views & Downloads

Similar Articles